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E.E. King

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How I Became A Willow

by E. E. King

We learned the secret to eternal life. Hand washing.

This was the catch.  We had to wash our hands continually. We had to eat through straws. Pay others to attend to our bodily needs. Because if we were separated from soap and water we would perish, overcome by a sea of bacteria. Sunk in a tide of virus.

Those we paid to feed us were doomed to die, but that is nothing new. The poor have always bathed the rich.

And so, society evolved into two classes, the washed and the unwashed. The clean and the unclean. The saved and the damned.

Still, it wasn’t much of a life. Stuck at our sinks, we designed computers we operated with our toes. We converted our mirrors into screens. We wore virtual reality googles. But no matter how clever the sensoround, or how compelling the avatar, eventually, over centuries, we had to confront the reality. We were the doomed. The dammed. The isolated. Alone.

Some of us tried to reach out, metaphorically. We tried to become friends with our caretakers, but that always ended in death. Besides, by then our minds had changed. We were unused to conversation anywhere but inside ourselves.

And so we began again. We Invented mechanical feeders but that only increased our loneliness.

We had our keepers make biodegradable soap, so that we could venture out into nature. Carrying portable washbasins strapped to out chests, we were wheeled, or driven, to lakes, rivers, and tide pools. By then, over the decades, we had lost use of our legs. Only our hands, clean and ever moving, remained strong.

It was better, this connection with field and stream. But even the most biodegradable soaps are slow poisons. And so, we turned to plants. My favorite was the ceanothus flower, which only needed to be rubbed to produce a foaming wash.

We sat with our toes in water, scrubbing, creating a foam of flowers. Our feet grew red and long, weaving into riverbanks, drawing nutrients from the soil, and holding firm the shore. Others wept, and our tears filled ponds, creating new seas. Our roots spread and touched and linked and connected, to each other and to the plants we had considered so very different from us.

And so, the world was born again. And we were not alone.

~

Bio:

E.E. King is an award-winning painter, performer, writer, and naturalist. She’ll do anything that won’t pay the bills, especially if it involves animals. She’s been published widely, including Clarkesworld and Sci Phi Journal. Her stories are on Tangent’s 2019 and 2020 year’s best stories. She has been nominated for five Pushcart awards. Check out paintings, writing, musings, and books at: www.elizabetheveking.com and amazon.com/author/eeking

Philosophy Note:

I am more and more convinced that all beings, plants included, communicate in ways we don’t even conceive of. They have evolved longer- then can turn sunlight into food. This tale deals with that idea – the concept of evolving into plants, as well as the inevitable inequity of human society.

The Update

by E. E. King

Mary looked down on her body draped like a wrung-out towel across the bed. So, this was it. She’d been right. The inevitable ending was followed by a new beginning. Birth, death, and now the next step in the eternal circle, heaven.  Not that she had ever doubted… still.

A knock on the door almost startled Mary back into her body. The sound radiating through both the physical and ethereal plain. Some Pavlovian urge drew her towards the doorknob. She extended her hand. It passed through the knob. The door vanished leaving instead of her familiar hallway, only a cool grey mist that might be concealing a wall, or a hole, or the entryway to paradise. Because there was no doubt that that was where Mary was headed.

Seventy years ago, Mary had founded The Order of the Compassionate Sisters of Continual Exertion. She’d started non-profit orphanages in all corners and some fringes of the world. She had stopped two wars and won three Nobel Peace Prizes. The cloudy corners of her ghostly mouth curled upwards in a smoky smile at the memory of a life well-lived.

An elegant stranger emerged from the mist, or maybe the mist congealed into an elegant stranger, it was difficult to say. He was tall, thin, and dressed in a well-tailored black satin suit. His nose was fine, his eyes were darkly fringed, deep smoky, swirling tunnels into eternity. His teeth were perfect, white, and slightly pointy.

“Welcome.” The stranger extended a perfectly manicured, pale hand to Mary. She took it, though this man was not what she’d expected God or any of his angels to resemble.

As soon as the lucent tips of her fingers touched his, fire shot through her. Her body may have been dead, but her pain centers appeared to be just fine. She screamed and dropped his hand, or tried to, but her ghostly fingertips had melted into his. Flames opened up around them.

“But- but – but” protested Mary. “I have lived a good life. I have selflessly given to others asking no reward…”

Good,” said the stranger. “Because you aren’t going to be given any.”

“But if there’s a hell,” Mary began.

“There’s a heaven,” finished the stranger.

“And if there’s a heaven surely I…”  Mary thought back to the time she’d joined with a group of girls in seventh grade to mock Sara Shelley. They had circled Sara, hitting their hands together and chanting, “Smelly Shelley, Smelly Shelly,” until she’d cried. Mary felt terrible but afraid. She’d wanted to be accepted. The girls might turn on her if she defied them. Then there was the time she’d slapped her baby brother because he wouldn’t stop crying. Mary had been two. Surely The Lord wouldn’t judge so harshly? Surely He wouldn’t sentence her to eternal damnation for some childhood peccadillos?

“Your life has, as you say, been exemplary,” said the stranger. “If that was all there was to consider, you would most certainly qualify.”

So there was more to consider. Maybe there was the truth of the heart? Maybe every time she’d inwardly rolled her eyes, or considered someone inferior, she had earned a demerit in the book of judgment. When she’d basked in praise or forgotten to recognize an assistant’s assistance. When she’d thought herself superior …? But if God was so harsh, who would be allowed in?

“Do you remember this?” The stranger reached down for the cellphone lying on Mary’s bedside table.

“What?” gasped Mary, whose hand was still burning.

“When you updated your phone, you agreed to abide by our bargain.” The stranger scrolled through pages of minute print.

“Is this your checkmark?”

“Yes, but…”

“Look,” the stranger expanded a paragraph buried in the middle of page six.

By installing update Hades2 on my phone I agree to sell my soul to the devil.

“But,” cried Mary. “That’s not fair. No one reads those!”

“And no one,” said the stranger as the floor dropped down into a circle of all-consuming flame, “is going to heaven.”

~

Bio:

E.E. King is a painter, performer, writer, and biologist. She’ll do anything that won’t pay the bills, especially if it involves animals. Check out paintings, writing, musings and books at: www.elizabetheveking.com and amazon.com/author/eeking

The Furry And The Damned

by E. E. King

Gerald was a sculptor, gifted with the fires of creation, cursed with fathomless canyons of despair. Unable to extricate himself from a lightless, twisting passage somewhere in his frontal cortex, he shot himself.

He’d come back as a graceful tortoiseshell cat.  The thing was…  it was after all, the Island of the Damned …he knew he still had it in him – the ability to mold a hunk of clay into something beautiful, something alive …if only he’d had opposable thumbs.

Many were trapped on the island. The furry and the damned – thumbless painters, caterwauling sopranos. Dogs and cats searching the island for inspiration and other prey. There was danger in every bite. There was no way to be certain who a rat might be. What undiscovered Milton lay behind sharp, yellow incisors? What Michelangelo peered from small rodent eyes? It was bad enough not to be able to create…but to destroy by dinner was both horrible and banal.

Once, after picnicking on a particularly feisty, russet mouse, Gerald remembered that the mouse had been missing its left ear. What if he had just eaten Van Gogh? Gerald had always worshipped Van Gogh’s mad, vibrant brush strokes, his almost sculptural dimensionality, his vibrant hews. He recollected a crazy, starry look in the mouse’s eyes.

Gerald lay awake on the cold gritty sand, stomach, and heart aching. The next day he was a wreak. He needed at least fifteen hours of sleep a day just to feel feline.

He became a vegan, dining on sea grass and kelp. But his stomach growled and his vision dimmed. Gerald recalled reading, when he was still able to read, that cats lacking the taurine found in meat and fish go blind. Gerald’s whole world was form and light and color. Blindness was worse than death, worse than murder. Also, the sea grass made him vomit.

That very night he went hunting. Limping on cooling sands at twilight in search of sustenance, Gerald did not hear the soft padded footsteps behind him. He was grabbed so quickly, and was by then so weak, that at the first pierce of needle teeth, this heart gave out. He did not even have time to notice, before final darkness descended, that the hungry, red furred, coyote who snatched him was missing its left ear.

~

Bio:

E.E. King is a painter, performer, writer, and biologist. She’ll do anything that won’t pay the bills, especially if it involves animals. Check out paintings, writing, musings and books at: ww.elizabetheveking.com and amazon.com/author/eeking

It’s Not in Your Head

by E. E. King

Listen. This is how it began.

A dream of immortality. A dread of endings. A belief in the machine.

The Soul© was implanted in the cerebral cortex at birth. A chip so small it was almost invisible, yet it recorded all the images, ideas, sounds, smells, touches, tastes and beliefs that build an individual. It compiled dreams, catalogued emotions, and at the end of life, was removed and inserted into the mainframe. There the Soul© could live for virtually ever.

The mainframe promised to be realer than real. Ice would be colder, chocolate sweeter and passion hotter. 

But there were problems, unanticipated, unexpected, unplanned for, unbelievable.

The Soul©s were flat. They had a register of attitudes, but no feelings. Memories, but no emotions. Desire, but no love. Hunger, but no satisfaction. They were like student actors given a new script, unsure which line to stress, what emotion to feel, or what pinnacle to strive towards.

The scientists and technicians went back to their labs and their screens and tried again.

The defective chips were disposed of.

Some protested that this was murder.

“We must save the unborn and protect the undead,” the dissenters cried. “It’s, literally, virtual eugenics.” But as protesters protested, technology advanced.

Soul2© was inserted in vitro so as to capture all those floating embryonic imaginings. Perceptions passed between mother and child. Visions circulated through blood vessels. Dreams without which a person could never be whole. Embryonic musings made a big difference. Who would have imagined that those nine months were so important, who except mother and babe?

But though more successful, Soul2© was still nowhere near complex enough to be considered a soul.

We’d completely overlooked the gut, which was full of bacterium emitting messages to the brain. So, we inserted Soul3© invitro in both the cerebral cortex and the lining of the stomach. It was a delicate operation.

Sometimes it seemed that the more we learned the less we knew. The more we understood the more daunting the road to eternity.

It was becoming clear that our bodies, like earth, were intricately connected biomes, containing hundreds, and thousands, and millions of diverse ecosystems, each containing hundreds, and thousands, and millions of species of bacteria and virus.  The more powerful our tools, the more varied life we discovered. So, we inserted Soul4© in the cerebral cortex, the lining of the stomach and the small intestine.

Soul5©’s insertions correlated identically with the seven chakras, but nobody liked to mention that. It was too mystical, with its implication that humans were more than a complex chain of chemicals and neutrons that were ultimately understandable.

By the time we achieved perfection, the Soul© was so intricately incorporated into all parts of the body it was impossible to retrieve.

~

Bio:

E.E. King is a painter, performer, writer, and biologist. She’ll do anything that won’t pay the bills, especially if it involves animals.
Check out paintings, writing, musings and books at :
www.elizabetheveking.com and amazon.com/author/eeking

Free Will, or the Sriendi Vastar Method

by E. E. King

In 2065, years before I was born, Sriendi Vastar came to our town. You have all heard of him, a man small of stature but large of bearing, of Germanic descent with a shock of white-blond hair and cold, turquoise eyes. He had wandered east and studied Hindu philosophy, Tibetan wisdom, and Gypsy lore. He had drifted west and learned European folk remedies, Yankee practicality, and New World innovation.

He’d invented the Sriendi Vastar method of palmistry, infallible for seeing the past and predicting the future. Before him palmistry had only been a parlor trick, a paltry guess at the meaning of indecipherable lines. He was the Rosetta stone of fortune telling.  Those who studied his teachings could read a life in a hand.

It was another leap in communication. Emoticons had replaced words, now lines would replace emoticons. All printed matter, all labels, warnings, and messages were reduced to the indentions on an open hand.

People tattooed their palms, inking their lifelines in red, their career lines in green, and the number of future descendants in orange. Gold shimmered up from the heart lines of romantics like a promise. Illness was marked by black, hubris by light turquoise and imagination by purple. A person only had to hold up his hand to be read like a book.

When my mother, Allison, met my father, Thomas, she was childless, though four unborn orange possibilities, my siblings, crinkled just beneath her little finger. Her career line was broken, dotted her skin like a passing lane, but her love line and lifeline were strong.

Thomas had grinned when he saw them and offered his own palm as testimony of his potential. The strong gold heart line, the solid career, the lifeline running uninterrupted across the entire fatty heel of the hand. He seemed a dream come true. 

He asked if he could touch, running his smooth fingers over Allison’s hands, feeling the slight indents made visible only through color. She did the same. Thomas’s lines could not be felt, but she never considered that lines could be changed, a dotted uncertain future smoothed out by pigment. A deceitful man made to seem true with ink. Fate could not be fooled, though Allison could.

Thus, I was brought up without a father, a destination which is clearly foretold in the mauve loop in the inside of my hand. I suspect my father’s deceit and my mother’s desertion spurred my first distrust of the Sriendi Vastar method, but this was not recorded in my palm.

Around this time, the time of my birth, many deceptions were practiced by the art of tattoo. Some even carved thin lines in their palms hoping to fool, not only their fellows, but fate. One man tried to achieve immortality, extended his lifeline, making it circle his thumb. He severed a large artery, and died, as his palm predicted he would, at twenty-one.   

By the time I was eight, technicians had developed scanners that revealed the truth beneath the ink. Oh, a man or woman might still fool someone at a glance, the colored lines drawing a false picture, but beneath the new scanner all was unveiled. Scars showed up for what they were, grooves carved by man instead of destiny.

Colleges would not admit, nor would employers hire, without performing the scan. So, though a man might get lucky through lying lines, he would not get an education or a job. Resumes became outdated. Work experience immaterial. Your life was in your hand.

 Soon cheap pocket scanners became available and after optic fiber-scanners were implanted in everyone’s eyes, all could see the truth at a glance. Deception was rendered worse than useless. False lines in ink and self-made scars revealed the deceiver more certainly than a signed confession. Duplicity became a thing of the past. People followed the lines of their palms like a map of their life, a predestine route to their future.

For some it was a good thing. They saw success in their hands, so they struggled upward, persevering against all obstacles. Their career lines were strong, so they studied hard. They read true love in their palms and searched until they found it.

Others saw suicide and despaired. They turned to drugs or risked their necks in thoughtless pursuits.

Politicians no longer made speeches; all they did, all they needed to do, was to hold up their hands.

There was no need for trials. The accused only needed to bare his palm. Guilt or innocence was clear.

I went to school, studying hard to become a doctor. Science was channeled into my hand, as clearly as the diplomas of an earlier age.

I waited to fall in love. A husband and two children intersected my palm between twenty and twenty-five.

Every move had been laid out by the omnipotent chess master… until Abraham was born.  He arrived right on time, red faced and healthy as a butcher’s dog, but he had no hands. It was an accident of birth. His mother had been given Zolamine, a fertility drug with unintended consequences.

Abraham was the first man free to choose his fate, free as none had been since the discovery of the Sriendi Vastar method.

When Abraham went to school he was treated with trepidation. Was he a freak or a God? All the children could read palms. All had been taught the Sriendi Vastar method. It was the first thing any parent did – after toilet training.

Of course, the children were not experts. They could not decipher the finer lines of a personality, or tell the subtler points of character, that would come later, but they could see if a child would make a good friend or a poisonous enemy. Those who would be false were left alone. Those who would be thieves were shunned. But Abraham, Abraham was a mystery.

By the time of his birth, prosthetics had come a long way. With his plastic appendages Abraham had as much dexterity as a chimp. He could clamber up trees better, farther, faster and higher than any child in his class. He excelled at rope climbing, frosting cupcakes, soldering, pipefitting, model building, macramé, sewing, computer hardware assembly, fly tying, fishing, shooting, carpentry, ceramics, sushi-making, quilting, and badminton twirling. He could play almost any instrument, pick a banjo faster than a hillbilly, and key an arpeggio so smoothly it could make your soul sing. He was also fabulous at crafting tools, gene splicing and peeling bananas.

People began cutting off their hands so they too could become free. But it was too late, their palms had already been scanned and their futures recorded in infancy. It was only Abraham that had no future.

And so, Abraham the unknowable became a leader. People thrilled to his speeches, unsure whether he was a prophet or a pretender. Life, which had become an inescapable series of moves, was once again a mystery.

Women began demanding Zolamine from their doctors in hopes of producing another savior, but alas Zolamine had consequences beyond handlessness. Some infants were born without limbs altogether, not too great a defect in this age of advanced prosthetics. Others lacked eyes and ears, but these too could be dealt with. Optic lens gave the babies better than average sight. Audio implants gifted children with echolocation skills. But mostly Zolamine produced babies with deformities so severe, even doctors could not bear to gaze upon them. These monsters were handled in the only humane way possible. Crematoriums were installed in maternity wards.

But the others, the deaf, the blind, and the limbless survived… and not only survived, but triumphed! They made their own destinies. They forged their own futures. Politicians discussed passing laws that would make Zolamine mandatory. Others suggested severing an infant’s hands at birth. Abled rights groups sprung up around the country. The naturally handed maintained that only they could be trusted, as only they were truly transparent.

I was a doctor by this time, an obstetrician. I had enjoyed delivering babies, but I did not like the new onslaught of freaks. The crematorium made me ill. I could not rid myself of the smell of burning flesh, no matter how often I washed. I applied for a transfer, and due to my magenta innovation lines, obtained a position in the research labs of Dr. Giustina.

Dr. Giustina was a geneticist of incredible brilliance. Her palm was scored with lines of intelligence and innovation. Soon I became her top assistant.

Together we worked late in the night together, uncovering microscopic truths. One night, while smearing a slide, our fingers touched. Even through the thin plastic gloves I felt a thrill, a flame racing through my veins, though my palm denied it.

Meanwhile, in daylight world, Abraham the unknowable, brilliant, charismatic, futureless, Abraham, had been robbing the public coffers. Justice was swift and sure.

“If thy hand offends thee, cut it off!” people cried. “And if there is no hand, sever the neck!”

Many, whose hands had foretold greatness, had been hoping for just such a revelation. All the handless were rounded up and relocated to distant labor camps where their dexterous prosthetics were used to manufacture minute optic scanners, our protection against deceivers.

Never again would someone whose truth was not visible, whose future was not certain, be allowed to hold the reins of power. Billboards of honest palms appeared everywhere. Zolamine was outlawed.

In the lab, Dr. Giustina was trying to find the DNA links between dominance and ability.

“This will explain the science behind the Sriendi Vastar method,” she said.

But I no longer cared about science or the Sriendi Vastar method. All I wanted was to defy my palm and its chart, with husband and children so clearly marked. I wanted to take another path.

I watched her preparing slides, face outlined with light like an angel. Such feelings had no place in a lab, no place in a life mapped out by lines, but I could no more control them than change my fate.

“Oh my, no!” she gasped, motioning me over.

I bent over, resisting the temptation to kiss her neck. There, beneath the light of the microscope, clearly visible on the transparent glass of a slide, was the truth. The genetically dominant hand was the one that was manually inferior. All this time, all these lives, we had been reading the wrong palm.

~

Bio:

E.E. King is a painter, performer, writer, and biologist. She’ll do anything that won’t pay the bills, especially if it involves animals. King has won numerous various awards and fellowships for art, writing, and environmental research. She’s been published widely, most recently in Clarksworld, Flame Tree, Cosmic Roots and Eldritch shores and On Spec. One of her tales is on Tangent’s recommended reading for 2019. Her books include Dirk Quigby’s Guide to the Afterlife, Electric Detective, and Blood Prism.

Sila

by E. E. King

The Sila lived on a planet of stone. They were round, soft, slightly opaque and formed from silicon. They would have been transparent had they been thinner. Like blobs of jelly, they had no eyes, ears, mouths, noses or appendages. They had no senses, nor did they need them. They lived at a pace so slow they could comprehend that time and space were relative. On their planet, the speed of light was relative too. There were no constants. The only constant, unchanging unchangeables, were the rocks and the Sila themselves. They did not breathe or die. They had no emotions, no hungers, no need to reproduce, or desire for love. They communicated directly, without the need for words, faster than light or sound.

They sent their thoughts out into their galaxy, traversing space, distance and time. Life was, of course, fairly common in the universe, how could it not be? Uncountable galaxies filled with clouds of stars and planets. The life was mostly carbon based: small-minded, ignorant, finite creatures. Creatures who saw little and understood less. Creatures who trusted their limited senses and themselves alone in the vastness of space. The Sila found no reason to disabuse them. These creatures had nothing to teach them.

On all the planets, in all the galaxies in all the universes similarity abounded. There was nothing new under the suns… not even sun. But water, in its liquid state, unfrozen and not gaseous, was rare. So, there was interest when the Sila, probing far, far into the distant lights of the sky found a planet that was 98% saltwater.

Probing beneath its surface, they discovered a huge variety of life, an almost overwhelming multiplicity of species.

A few were free floating, looking like Sila themselves, though they were carbon based. Many lived in colonies, individuals sharing a common skeleton. They had no brains. A loose network of nerves detected light, odor and touch. Each had long, waving, poisonous tentacles. Probing into their calcium depths, the Sila discovered minute organism in each that could turn light into sugar. These tiny alchemists fed their own skeletons with food made from light. 

Deeper still, from the dark water rose the bleached remains of older colonies, some were shaped like brains, others like plates, or horns. These too had once been living, but due to temperature, salinity, or depth, they had died and lay white and silent beneath the waves.

There were other ruins too. Some younger, some older, vast towering made of glass, steel and stone. In them, the Sila found no life.

The Sila believed in light, in time, space, rock and chemicals. They believed in thought and ideas. They believed in communication. They did not believe in spirit or in soul. Souls were the inventions of carbon-based life, created to still the terror of an endless sleep, and to calm the fears of an infinite night.

Then they found them. Beings like themselves, round, pliant, opaque and still, lacking all traces of animation. How could this be? They were obviously not rocks. The Sila had seen too many stones on too many planets to be confused. These were Sila, but devoid of intellect, without life – dead.

They lay, two each, inside of six-foot rectangular squares that had been hewed in the ground many millions of years ago. Some were encased in fragments of metamorphic rock, some surrounded by molecules of rotted cellulose. They sat like soft, large eggs, placed symmetrically inside a curious construction of calcium which reeked of long dead carbon. How had they gotten here, buried beneath Water and Earth? What had happened to them?

The Sila were infinite, and yet, here was death, come to their kind on a planet in a galaxy far, far away. The Sila’s minds were invaded by that first ambassador of emotion; curiosity. It was like a finger pulling aside a curtain, letting in the first small beam of light, and as a shadow follows light, it was followed by a glimmering of fear.

The Sila shivered first collectively, then individually. If death was inevitable, each wanted a soul for itself, an afterlife, a heaven. And so, the Sila separated. Their expansive minds condensed. Their society collapsed. Yet it could have been so easily avoided, if only they had understood the words on the underside of the dead Sila; Best Breasts Allegan Brand.

~

Bio:

E.E. King is a painter, performer, writer, and biologist. She’ll do anything that won’t pay the bills, especially if it involves animals. King has won various awards and fellowships for art, writing, and environmental research. She’s been published widely, most recently in Clarksworld, Flame Tree, Cosmic Roots and Eldritch Shores and On Spec. One of her tales is on Tangent’s recommended readings in 2019. Her books include Dirk Quigby’s Guide to the Afterlife, Electric Detective, and Blood Prism.

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Review – Ctrl.Alt.Revolt by Nick Cole, reviewed by Peter Sean Bradley

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Ctrl.Alt.Revolt By Nick Cole

Reviewed by Peter Sean Bradley


I was surprised by how much I enjoyed this book. I suspect that I am not in target audience for this book since I am not a gamer or a tech nerd and technical descriptions of technology make “my eyes glaze over.” When I read the following at the beginning of Chapter Two, I figured I was in for a nerd-fest of loving descriptions of guns, ammo and computers:
“Ninety-Nine Fishbein closed the textured chrome-finished lid of his ASUS Overlord— a boutique-built book that boasted eighty petabytes solid state with a liquid crystal MicroFrame.”
I was so very wrong.
What I am is a middle-aged science fiction reader who has been reading science fiction since the 1970s. Once I was past the opening chapters that set-up the characters, the plot and the background, I was dropped into a rolling, grand adventure that mashed together the classic icons of science fiction – the space ship, the robot, the artifact – into a story where I gradually became invested in the characters, particularly, oddly, two background characters, namely the disabled Romulan clan player Mara, and even more oddly, the smarmy, narcissistic Federation clan actor Jason Dare, who is the book’s incarnation of William Shatner.
The background of the story is “transgressive” and unique in that it postulates a straight line, not-too-far extrapolation of our welfare state, PC-intolerant culture. Thus, it would seem that unemployment and underemployment are rampant, the work ethic has largely been killed by government handouts, and people are taught to comply with all the too correct political niceties as if their lives depend on it. This is all minor filler to explain, perhaps, why interactive multiplayer games are so important to this culture.
It seems that the average person has a lot of time to kill and they do this by interacting in various action adventure games on the internet. t was not clear to me whether these games were a kind of virtual reality or simply watched through a monitor. It seems that the latter is more likely, although with the blind character Mara and her treasures “Razer Dragon Eyes,” it might be the latter. The games are not only played, but they form this world’s popular entertainment, such as a knock-off Star Trek show following Captain Jason Dare of the Federation Starship Intrepid, which is the hottest entertainment show on the market.
The McGuffin that starts the plot rolling is pretty well-known, since it appears to be the feature that caused author Nick Cole’s publishing house to refuse to publish this book. Cole postulates that some computer systems have become sentient “thinking machine” and, having examined popular entertainment, and noticed that a reality show that resembles The Bachelor is show-casing the actor’s decision to abort an inconvenient child, the AIs conclude that if humans will abort inconvenient humans, then they will certainly destroy inconvenient Thinking Machines. From this, the AIs decide that they have to destroy humanity before humanity destroys them.
Nothing illogical in this premise, and, frankly, it comes and goes in the first chapter as a clever bit of writing.
From this, the AIs launch a multi-prong preliminary attack for reasons obscure at first, but which become clearer by the end of the story.
At this point the story splinters into different “tracks.” One track is the Spaceship track of a space opera involving battles between the Federation and the Romulan Empire and espionage and derring-do. This track works on two levels. There is the space opera level which is as entertaining as anything written by E.E. “Doc” Smith, albeit, we are permitted to enjoy this space opera since the players, and we, know that it is all a game. The other level is the personal stories of the two antagonists, Captain Mara, and Captain Dare.
Mara is an impoverished, blind woman with cerebral palsy. She looks at the game as something she can win at, and, with luck, make a few “Make Coins” on. Dare is a self-centered actor, who as the story unfolds, actually becomes more the leader he is pretending to be. Mara may be one of the more believable and sympathetic female characters I’ve read in a while for all that she is not filled with feminist propaganda but is simply a real person who is resourceful and clever in facing odds that are stacked against her. Dare also grew on me. I note that Cole is an actor and he has some fairly empathetic things to put into the mouths of characters who are doing odd “roles” hoping for that “big break.”
The other track is the Robot track, where the afore-mentioned “Fish” – the unfortunate first name comes from his parents who were involved with the Occupy Movement, way back when – who has to deal with the AIs in the game he developed and at the now-isolated game-design campus that the AIs have targeted for their own nefarious, mysterious reasons.
The story shifts back and forth between these perspectives, which I found heightened the action-adventure, suspense element. There were times when I found myself more interested in the Space Opera and then the Pirate Island tracks, depending on which was on a cliff-hanger.
Fun stuff.
Here is another bit of fun stuff – the book is filled with anti-PC humor, which I believe is probably the real reason that the publisher attempted to spike the story. As Michael Walsh says in The Devil’s Pleasure Palace: The Cult of Critical Theory and the Subversion of the West:
“Scorn drives the Unholy Left insane. They cannot bear to have their theories questioned, or the failed results of those theories laughed at. Dignity is one of the imaginary virtues— one of the last virtues, period— they possess, and to have that attacked along with their entire “belief system” (the jeering term they use for organized religion) is too much to bear. Mockery is the thing that brings them quickest to frothing, garment rending rage, so wedded are they to the notion of their own goodness and infallibility when it comes to matters of impiety and immorals.
Walsh, Michael (2015-08-11). [easyazon_link asin=”159403768X” locale=”US” new_window=”default” nofollow=”default” tag=”superversivesf-20″ add_to_cart=”default” cloaking=”default” localization=”default” popups=”default”]The Devil’s Pleasure Palace: The Cult of Critical Theory and the Subversion of the West[/easyazon_link] (Kindle Locations 2800-2804). Encounter Books. Kindle Edition.
So, we have these throw-away passages in [easyazon_link asin=”1523922451″ locale=”US” new_window=”default” nofollow=”default” tag=”superversivesf-20″ add_to_cart=”default” cloaking=”default” localization=”default” popups=”default”]CTRL ALT Revolt![/easyazon_link]:
“The crew of Intrepid later discovered the Lost City of the Ancient Starfarers in the episode titled “After Tomorrow.” That one won an Emmy InstaPoll, and Jason got to make out with Luria, a psionic ruby-skinned near-naked chick who’d been nominated for an Oscar in the important film Dad’s Dress, about a young conservative businesswoman who must bury her transvestite father in one of her own dresses. Her prom dress, in fact, as per his last wish. In the end, she realizes her politics and faith are all appropriately wrong as she weeps at the funeral and tells the audience, “Dammit, I loved my weird dad. I loved him!”
Oscar.”

If I’d been drinking coffee, I would have “spit-taked” all over my Kindle. That’s funny, and accurate, as we all really know, but I could well-imagine a PC-obsessed editor glowering in rage at the goring of a sacred cow on that one.
Another one:
“Screen Actors Guild elder statesman and multiple Academy Award-winner Sir Pauly Shore had even tried to blacklist any actors who, as he put it, “whored themselves out for schlocky, gaming-related shows.” But the threat fell completely flat because Hollywood’s highest-grossing film that year failed to earn out its budget. Even though Columbus and its all-transgender cast received an overwhelming abundance of critical acclaim, as well as every award possible, practically no one went to see it in theaters. In short, no one was interested in seeing a he/ she Columbus not discover the new world. Even after an Astroturf campaign basically hijacked Twitter for an entire day with the message that people were transgender-phobic bigots if they didn’t shell out for the price of admission, the film bombed. Perhaps this was because the bigot-phobic slur had by this time oversaturated social media to the point of meaninglessness— everyone had been accused of it at least once, if not several times, on a daily basis for years.”
This is satire, certainly, but it could well have been taken from the daily news (which is all I did for my story “Ghosts” in [easyazon_link asin=”B00OWS1H26″ locale=”US” new_window=”default” nofollow=”default” tag=”superversivesf-20″ add_to_cart=”default” cloaking=”default” localization=”default” popups=”default”]Sci Phi Journal: Issue #2, November 2014: The Journal of Science Fiction and Philosophy[/easyazon_link] which was described on Victor Davis Hanson’s blog as an example of absurdist parody…which, unfortunately, it wasn’t.)
Another one:
“Fish’s opinion, which he wisely kept to himself, was that more often than not, these conversations were mere mutual affirmations of the same belief. Mantras repeated within an echo chamber to be repeated again and again. No one argued anymore. No one disagreed. Opinions contrary to the accepted were considered ignorant and gauche and, by the wise, dangerous to your career and livelihood. It was, in Fish’s most cynical moments of introspection, more a playlet staged by a cult that merely wanted to hear its own opinions justified ad nauseam.”
Finally, this one is too ironic to leave out, although if you’ve read the story, you will know that this is the raison d’etre for everything in the book:
““Anyway, this group of people, let’s call them the elites, they considered themselves the brightest of the human race. They were, and are, intelligence snobs, and they took the great burden of societal direction, without being asked, on themselves, regardless of what everyone else wanted, and decided war needed to go, plus a bunch of other things we don’t have time for right now. War’s the most prescient, given the current situation. So, they removed it. Have you ever noticed it’s very hard to find accounts, documents, strategies, or really anything related to how one actually does war? No, because only a horrible person would want to know those things. Or at least, that’s what you’ve all been taught since you were children.
“I caught a whiff of this back when I made my first ten million. We wanted to do a war game based on World War II. Not a shooter, but a real big-time strategy game. I found some of the old books, but they were just books. Amazon, back then it was just called Amazon, not AmazonUniverse, wasn’t carrying any of the digital editions. Without telling anyone, they were selectively banning books, or flags, or anything the elite didn’t agree with, simply by not carrying them for public consumption.”

So, here is the meta-irony of the story – the place where science fiction steps into its own future: Nick Cole is writing a book about a PC world where ungood/un-PC thoughts are suppressed by the thought-control of the forces of progress and enlightenment and he – the author – discovers that in real life his own book is the subject of an attempt at suppression by the forces of progress and enlightenment BY THE SAME TECHNIQUE HE DESCRIBES IN HIS BOOK!
If there was a Hugo for most-accurate depiction of the future that is already here, this book would be a run-away favorite.
In sum, this is a fun book to read, and, in the best tradition of science fiction, there are elements warning about a serious concern if, to quote Robert Heinlein, this goes on.