David Kyle Johnson

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The Question of Contact

by David Kyle Johnson

July 11, 2017 heralds the 20th anniversary of the release of Contact, the sci-fi classic based on Carl Sagan’s novel of the same name. Carl Sagan was, to some, a controversial figure. Indeed, the first time I heard his name as a teenager, the Christian punk rock band One Bad Pig was calling him a pagan for believing in evolution. (They suggested he would fry like bacon.) But even though he was a prolific science communicator (he hosted the first Cosmos), and was renowned for his skepticism of the supernatural (he authored Demon Haunted World), Sagan never professed to be an atheist. In fact, he called himself an agnostic and was expressly critical of atheists because they, according to him, arrogantly claimed to be “certain that God does not exist.” Indeed, he maintained that science and religion could be compatible and even suggested that science could be a source of spirituality (although he just meant that studying the universe could generate a sense of elation and humility).
Sagan’s views come across in Contact. Not only is Dr. Eleanor (Elle) Arroway (Jodie Foster) elated and humbled by what she learns (and sees) of the universe, but the movie also portrays science and religion as compatible and even seems to vindicate (but not necessarily validate) the theistic belief of Rev. Palmer Joss (Matthew McConaughey). Although Contact demonstrates the close-mindedness of religious fundamentalists through the comments of evangelical spokesman Richard Rank (Rob Lowe) and highlights the dangers of religious fanaticism through the terrorist attack of an albino priest, Joseph (Jake Busey), Palmer’s theistic belief, which is inspired by a religious experience, is portrayed in the end as rational.
How so?
Early in the movie, Elle dismisses Palmer’s religious experience, despite its vividness, as something that is more likely just the consequence of wishful thinking—he “needed to have it.” In the end, however, Elle ends up doing just what Palmer did: trusting her own experience, even though she openly admits that it is more likely that it was just a result of wishful thinking. She even uses some of Palmer’s words to explain why she can’t help but believe that her experience was genuine.

It changed me forever… [it was a] vision that tells us that we belong to something that is greater than ourselves, that none of us are alone.

What experience does Elle have? Shortly after Elle decries Palmer’s experience, she detects a beacon from space, and humanity builds the machine (apparently for space travel) for which the beacon contains blueprints. The machine operates by simply dropping a person, in a capsule, into the machine while in operation. When Elle is dropped, she apparently experiences traveling to the center of the galaxy via wormhole and conversing with an alien (that takes on the appearance of her dead father); the whole ordeal seems to take about 18 hours.
It appears to outside observers and instruments, however, that she simply falls straight through the machine. Senator Kitz (James Woods) points out that, given this, the better (more scientific) explanation is that the “alien signal” was the result of a hoax perpetrated by Hadden Suit (Michael Chaban) and she hallucinated (dreamed?) contacting the aliens. Elle agrees—yet she still believes that she contacted aliens anyway. “I had an experience. I can’t prove it. I can’t even explain it. But everything I know as a human being, everything I am, tells me that it was real.” In other words, she prefers her own personal experience to the scientific explanation.
The big question of Contact is, of course, what really happened? Did she just fall through the machine or did Elle really travel to another world? As director Robert Zemeckis and producer Steve Starkey make clear in the audio commentary, the movie is intended to be ambiguous; they even wanted people to leave the theater arguing with each other about whether Elle or Kitz was right. What is not ambiguous, however, is that Rev. Palmer believes Elle and that Sagan means for us to believe her too—or, at least, for us to think that she is justified in her belief. And since she is doing the same thing Palmer did regarding his experience of God, clearly Sagan means for us to believe Palmer as well—or, at least, to think that he is justified in his belief. In this way, by vindicating Elle’s belief in aliens, Contact seems to vindicate Palmer’s theistic belief as well.
But herein lies the important question. Even if we can’t settle the issue of what really happened to Elle, we can still ask whether Elle is justified in her belief. Even if you think she hallucinated, whether it was rational for her to continue to think she traveled to another world is still an open question. On the one hand, the experience seems to her to be legitimate—and people usually trust their experience, right? On the other hand, she admits that the hoax/hallucination hypothesis is (scientifically) the better explanation. Shouldn’t she thus embrace it? After all, by refusing to do so she isn’t just violating Occam’s Razor (the scientific maxim, referred to in the movie, which suggests that, all other things being equal, one should always prefer the simplest explanation). She is also violating a common practice in science: not trusting one’s personal experience above and beyond scientific reasoning. Of course, Elle may not have volitional control of all her beliefs—she may not be able to keep herself from believing in aliens, given her experience. But the question is not about what she could believe, but what she should believe—what it is rational for her to believe.
This question is more important than figuring out what happened to Elle because answering it can reveal what we should likely believe about a great many things in the real world. Our daily lives constantly present us with the choice of whether to believe our experience or the evidence—about everything from vaccines and global warming to politics and religion. So should we always favor scientific reasoning over personal experience? Or are there exceptions to this rule? And if so, when do they apply? By figuring out whether they apply to Elle and Palmer’s situation, we could end up revealing something important about the justification of our own beliefs—perhaps even about God’s existence.

Why Trust Science Over Personal Experience?

To begin, we should clarify why it is a common practice in science to distrust personal experience when it conflicts with scientific reasoning (i.e., scientific evidence or the best scientific explanation).
It’s well established that personal experience is biased and can be easily led astray. Expectation bias, pareidolia, anthropomorphic bias, the autokinetic effect, subjective validation and the forer effect, selective and constructive memory, even confirmation bias and availability error (I could go on and on)—all can make us see what isn’t there or even remember something that never happened. What’s more, optical illusions happen naturally (e.g., it’s an optical illusion that causes the moon to look bigger near the horizon) and hallucinations happen much more often than people realize—even in healthy people. Our perception of ourselves can even be wrong. The powers and limits of our senses are strong. To paraphrase my favorite critical thinking text, How to Think About Weird Things, the fact that something seems real doesn’t necessarily mean that it is. Indeed, more often than you realize, it’s not.
Science, on the other hand, is designed specifically to avoid such biases and limits. It takes them into account (along with the many ways our intuitive reasoning can lead us astray) so as to control them and thus reveal the way the world actually is (beyond the way it merely appears to be, given our perceptions). Science admits, of course, that our perceptions are usually reliable enough for everyday ordinary purposes, but also realizes that they cannot be trusted in extreme or special circumstances and generally cannot prove as much as people think.
For example, if you take an unproven medication and then feel better, that might seem to you to be proof that it works, but it’s not. For that you would need a repeatable, double-blinded, placebo-controlled study. Now, a personal experience like this might be a reason to perform such a study on the medication in question—and if such studies have already proven the treatment works, you could rightly conclude a causal connection in your own case. But because of the variable nature of illness, the placebo effect, and possible overlooked causes, by itself such an experience is not reason enough to think that any medication is an effective treatment for anything.
Something similar can be said about vaccines. The fact that a single child was diagnosed with autism after receiving the MMR vaccine is not evidence that vaccines cause autism (even if the child was your own). For such a link to be established, a controlled double-blinded study would be needed. (All such studies have shown no link; the rates of autism are the same in vaccinated and non-vaccinated children. It can appear to some that there is a causal link because the age at which a child’s immune system is advanced enough to receive the vaccine is sometimes around the same age that diagnosable signs of autism first appear.)
Now, that’s not to say that it’s impossible for personal experience to get it right while scientific reasoning gets it wrong. Of course it’s possible. The scientific method is an inductive form of reasoning. Since inductive arguments don’t guarantee their conclusions (they, instead, make them highly likely), scientific conclusions can be wrong. And personal experience can be right. So, obviously, it’s mathematically possible for two such events to line up and thus for your personal experience be right while the science gets it wrong. But the fact that something is possible is not a reason to think that it is true. The question is whether or not one could ever be justified in believing, in a particular case, that such a thing had happened. Since science is much more reliable than personal experience, when there is a conflict between the two, it would seem that (unless other evidence comes to light) the rational person should always embrace the former.
Let me explain by analogy: Suppose Bob is especially honest and only lies 1% of the time. Suppose Don is a compulsive liar and lies 99% of the time. And suppose you know these statistics to be true. If Don tells you something is true, but Bob tells you it is false, who should you believe? Clearly Bob, right? Sure, it’s possible that, in some circumstance, Don would just so happen to be telling one of his rare truths while Bob is telling one of his rare lies—but, in any particular case, that’s really unlikely. So, unless new evidence comes to light, if Don is telling you one thing, but Bob another, you should believe Bob.
The same, it seems, holds for when there is a conflict between evidence or argument and personal experience. The greater reliability of the former seems to entail that, all other things being equal, you should trust the former. Of course, if you can find flaws with the evidence or argument, then there really is no conflict. But, it seems, if one acknowledges that the scientific reasoning about something is cogent, one cannot be justified in citing personal experience as a reason to reject what it suggests. We might put this in the form of a rule:

The Conflict Rule: When there is a conflict between one’s personal experience and the conclusion of cogent scientific reasoning, one should reject the former and embrace the latter.

But are things really that simple? Can personal experience never override science? Should we always follow this rule? Let’s look at some specific cases where the rule is violated to find out.

Violating the Conflict Rule

First, let’s look at some cases where people violated the conflict rule but shouldn’t have. To begin, I’ll paraphrase a conversation I’ve had on Facebook.

Glen: I think the Earth is flat because when I look out to the horizon it sure seems flat.
Kyle: All available scientific evidence indicates that it’s round. All scientists agree. We even have pictures. Its apparent flatness is an illusion due to its size.
Glen: Sure, but every day when I look out, it sure looks flat. So I believe that it is flat.

Now, Glen’s not kidding. (Trust me, I’ve checked.) He’s also violating the conflict rule, when he shouldn’t. Indeed, the scientific evidence not only entails that Glen’s personal experience is wrong—but explains why it is wrong. The reason the Earth looks flat (from our own personal perceptive), even though it is not, is because it is enormous (while we are tiny).
A similar thing could be said about one who believes in ghosts, because they thought they saw one, despite scientific evidence to the contrary.

Nicole: I think ghosts exist because one night shortly after my grandmother died, I awoke to see her sitting on the edge of my bed.
Kyle: The existence of ghosts would violate multiple laws of physics (conservation of energy and the causal closure of the physical) and is inconsistent with neuroscience (which suggests that one’s mind is dependent upon one’s brain—it does not float away after death). Given how easily our perception is manipulated, and the power of expectation, it’s much more likely that you had a vivid visual hallucination. Indeed, such hallucinations usually seem more real (than their veracious counterparts) to those who have them, and such things are even more likely to occur around the time you are sleeping. Indeed, what is most likely is that you mistook a dream for reality.
Nicole: I know all that, but I still believe. You don’t know how vivid my experience of the ghost was!

Nicole is also violating the rule when she shouldn’t. You can’t invoke the vividness of an experience as a reason to favor it over the evidence—especially when the evidence in question explains why the experience would seem vivid even though it is erroneous. Given that Nicole is aware of this, her belief in ghosts is clearly unjustified.
Or consider this discussion about color that really gets to the heart of the matter.

Lori: That dress has the property of being blue and black, not white and gold.
Kyle: Actually, Locke showed us (and science has confirmed) that color is a “secondary property.” Objects don’t have colors as properties; they have other properties that cause them to reflect certain wavelengths of light that cause us to see certain colors, depending on how we interpret those wavelengths. So the dress isn’t white and gold, but it also is not blue and black either. The only kind of thing that actually has the property of being blue or black are things like your experience of the dress.
Lori: I know that, but it sure looks blue and black. I can’t seem to help but believe it is blue and black… so it is.

A similar conversation might be had about the solidity of objects. We perceive objects as solid, but science has proven that objects are mostly empty space. They are made of atoms, and atoms consist mostly of the empty space between their constituent parts (i.e., their electrons and protons). They seem solid to us because (roughly put) the electrometric fields of objects and our bodies repel each other; but if one were to continue to really (“ultimately”) believe they are solid, despite acknowledging the scientific evidence, it seems that one would be acting irrationally. The same is true about objects’ color.
These are all examples of when violating the conflict rule is irrational, yet it seems that I can produce real life examples where violating the conflict rule is not irrational.
Consider, for example, when Willem de Vlamingh first saw a black swan, in Australia, in 1667. All previously observed swans were white, so a cogent argument existed which suggested that all swans were white. Indeed, that was the prevailing scientific view. Yet it doesn’t seem that Vlamingh was doing anything irrational when he favored the conclusion “some swans are black” based on his personal experience of seeing a black swan.
Or consider Alexis Bouvard’s early observations of the orbit of the planet Uranus, taken at a time when science told us that there were only 7 planets. When astronomers Adams and Verrier realized that Bouvard’s experience didn’t put Uranus where Newton’s laws of planetary motion predicted, did they dismiss Bouvard’s observations as faulty in favor of protecting Newton’s laws and the prevailing theory about the number of planets? No, they instead hypothesized the existence of another planet (which was pulling Uranus “off course”)—and that’s how we discovered Neptune.
Something similar happened with Mercury, the closest planet to the sun. Newton’s theory couldn’t account for precession of the perihelion of Mercury (i.e., Newton’s theory couldn’t account for Mercury’s unusually wonky orbit). We tried looking for another planet that might be throwing it off course. We even named it: Vulcan. But we couldn’t find it. Did we therefore conclude that our observation of Mercury’s orbit was wrong, or that Vulcan really was there even though we couldn’t see it? No, we started considering alternative theories—and, it turns out, Einstein’s General Theory of Relativity’s ability to perfectly explain the orbit of Mercury was one of the biggest reasons it replaced Newton’s theory of gravity.
So we can’t say that we should never trust personal experience over cogent scientific arguments. Experiencing something that the current, well established, theories don’t predict or can’t explain drives advancement in science! That’s how we can come to recognize if our current theory is wrong. If we could never violate the conflict rule, we could never make scientific progress.

When to Trust “Personal Experience”

So the question remains: When is it okay to violate the conflict rule, and when is it not? The differences in the examples from the last section can, I believe, illuminate our answer.
First, notice that whether a personal experience can overturn a theory seems to depend partly on how well established the theory in question is. For example, the ghost and the swan stories are similar—they both involve someone experiencing something the current theory doesn’t predict. But the evidence behind the two theories is very different. The swan theory was based merely on all current observations of swans. Given that, at the time, there was much of the world we hadn’t explored, it’s not too surprising that we eventually found an exception. (Something similar could be said about our theory that there were only 7 planets.) The ghost hypothesis, however, is contrary to not only neuroscience (which is based on rigorous study and experiment) but also established physical laws (like the conservation of energy and the causal closure of the physical). Of course, they could be false too, but given how well established they are, the bar for proving them false is much higher than the bar for “all swans are white.” A single experience isn’t going to cut it.
Second, notice that in all the examples where the violation of the rule was irrational (flat Earth, ghosts, color, and solidity) the scientific theory the experiences were trying to overturn included within it an explanation for why the experience would be faulty (e.g., the Earth looks flat because it is so large and we are so tiny). The same could even be said in the vaccine/autism example. (They might seem to be casually related in a single case because they happen at around the same age.) If the scientific theory accounts for your personal experience by explaining how it is illusory, you can’t overturn the theory by pointing out how vivid the illusion is. This was not true, however, of the theories that were rightly overturned. Newton’s theory, for example, did not include an explanation for why Mercury would appear to have a wonky orbit even though it didn’t. If it had, the fact that Mercury appeared to have a wonky orbit wouldn’t have been a reason to reject Newton’s theory.
Third, in the cases where breaking the rule was rational, the personal experience in question was verifiable—they could all be independently confirmed, and indeed were. Vlamingh wasn’t the only one to see the black swans (he had a team), and he saw more than one of them (and was able to verify that, indeed, they were swans). The location of Uranus, and the orbit of Mercury (and non-existence of Vulcan) are independently verifiable (and were verified). Indeed, what actually overturned the theory in question wasn’t the experience itself—it was the confirmation of the outside event or object to which the experience drew our attention.
This is not true of the other examples. Take the ghost sighting. We can’t go back to that night and see for ourselves whether there was a ghostly grandma apparition on the edge of Nicole’s bed. Of course, if Grandma appeared every night and we could confirm it with multiple reliable witnesses and cameras, and rule out other explanations (like a hologram projector), then we’d have something much more akin to the black swan example and we might have to start rethinking our theories. (Unfortunately, controlled tests always make ghosts disappear.) But by itself, because of its non-repeatability and non-verifiability, Nicole’s experience won’t be enough. It’s just too easy for our senses to lead us astray.
The other examples are slightly different. Everyone can “verify” that (from the ground) the Earth looks flat, and that objects appear to “be colors” and “be solid.” But these experiences are still subjective in a way that the other experiences (of black swans, and the location of planets) are not. Indeed, I could confirm with objective measuring devices planetary orbits, or even that the feathers of swans in Australia absorb, rather than reflect, all wavelengths of light. I could never measure, however, what your experience of color, solidity, or even flatness is like. (Indeed, as philosophers are fond of pointing out, I can’t even confirm that we all experience colors the same way.) And so verifiability seems to be something else that sets the examples apart.
Notice that if only Vlamingh had seen the black swan as it flew away, but was unable to verify its existence (or the fact that it was a swan) to his colleagues, and never saw another, he wouldn’t have been justified in rejecting the “all swans are white” hypothesis. If we hadn’t found Neptune and no one else was able to observe the kind of anomalies in Uranus’ orbit that Bouvard had, we probably would have concluded that Bouvard had simply mismeasured its orbit.
Indeed, confirmation of such anomalous observations seems to be necessary for them to overturn scientific theory. When the scientists running the OPERA particle detector thought that it had measured neutrinos going faster than the speed of light, they didn’t jump to the conclusion that relativity had been overturned. They tried to confirm the measurement in every possible way. Only if they had done so (instead of finding the error that led to the mismeasurement) would they had even come close to being justified in thinking that relativity was false.
With this in mind we can refine our rule. Personal experience that is confirmed and verified—what we might call an “observation”—can overturn established scientific theories or be given preference over the prevailing scientific explanation. How easily it can do so (i.e., how much confirmation is required) will depend on how well confirmed the theory or explanation already is, but that is how scientific progress is made. Personal experience that cannot be (or, at least, has not been) confirmed or verified, however, cannot overturn established scientific theory or explanation—especially if the established theory or explanation accounts for why the personal experience in question is not reliable or was likely illusory.

What this Means for Elle and Palmer

Elle’s argument against the veracity of Palmer’s religious experience—“there’s no chance that you had this experience because some part of you needed to have it?”—is a bit sophomoric. In Lecture 10 of “The Big Questions of Philosophy” I explained that religious experience cannot justify religious belief for essentially two reasons. First, since every religion in the world contains examples of religious experiences that tell its followers that their religion is true, but at best only one religion is true, most of the time religious experience leads to false belief. Philosophically, therefore, religious experience can’t provide the justification necessary to generate knowledge. It’s just not reliable enough.
In a similar vein, science has revealed that religious experiences can be explained, without reference to the supernatural, by simply looking at the inner workings of the brain. Indeed, temporal lobe epilepsy is thought by many to be responsible for the visions and writings of the Prophet Muhammad and the Apostle Paul. Although the full explanation is not yet fully flushed out (this is true in most of neuroscience), it seems that for any given religious experience, the better explanation for it would be rooted in the physical, not the supernatural.
Rev. Palmer would, of course, insist that the vividness of his experience enables it to override such concerns—but his does not seem to be a situation where such a conclusion is warranted. His experience cannot be verified, and the scientific explanation accounts for the illusory nature of such experiences. He can’t justifiably counter such an argument by pointing out how vivid the experience was. Without further evidence of God’s existence, it would seem that Palmer’s experience cannot be trusted as veracious.
The same, it seems, is true for Elle—although her situation is slightly different.
Earlier in the film, Elle suggests that, as a scientist, she always demands “proof” or evidence. But this isn’t an entirely accurate description of the scientific method. While making observable novel predictions (testability) and getting them right (fruitfulness) are two things a hypothesis can do to “prove” itself to be better than its competitors, those are only two of five criteria. The explanatory power (scope) of a hypothesis, whether it is consistent with what we already have good reason to believe (its conservatism), and the number of assumptions it makes or entities it requires (its simplicity), are equally important. (The latter is Occam’s razor.) So science actually provides us with the ability to rationally accept one hypothesis over the other, even when the two hypotheses make all the same observable predictions—that is, even when there is no “proof” one way or the other.
Consider the heliocentric (sun-centered) and geocentric (earth-centered) models of the solar system. It is possible to construct a geocentric model that correctly describes and even predicts the movement of all the planets. But to do so one has to make a plethora of arbitrary assumptions. (For example, the geocentric model has to account for the occasional retrograde of Mars by suggesting that it doesn’t orbit the Earth…but orbits an arbitrary spot that itself orbits the Earth.) The hypothesis that the Sun is at the center (and so Mars only appears to retrograde as Earth passes it as they both orbit the Sun) generates a model which is so much simpler that it was accepted long before we had the ability to observationally differentiate the two theories—that is, before we had the ability to “prove” one right and the other wrong. (We eventually did so by observing parallax.)
The same is true for God. It’s often said that you can’t prove God does exist, but you also can’t prove that he doesn’t. Even if that is true, we can still compare the two hypotheses to see which is the more rational to accept. As Elle puts it, “What’s more likely? An all-powerful mysterious God created the universe and then decided not to give us any proof of his existence, or that he simply doesn’t exist at all, and that we created him so we wouldn’t have to feel so small and alone?” Clearly, the latter is simpler, and it explains religious diversity to boot.
Elle could respond with a similar answer to Palmer’s challenge that she provide proof that she loved her father. Of course, after she gives an account of all the ways that she behaved that clearly demonstrated love for her father, Palmer could point out an alternative hypothesis: that she was faking it. But what would be the simpler, more conservative, wider scoping explanation?
But, of course, the same logic applies to conundrum at the end of the film. She is presented with two hypotheses: the Alien/Contact hypothesis and the Hoax/Hallucination hypothesis. Given what she knows, it seems the latter is the best explanation (even though it is essentially a conspiracy theory). We have proof of neither, but the latter is certainly simpler (it doesn’t invoke aliens or wormholes). It also explains quite nicely how Hadden had access to the classified blueprints, and why he was the only one able to figure out how to decode them. And it seems more conservative in that it is more in line with what we know about how likely contact from alien life is.
Elle seems to recognize this herself; she just trusts her experience over and above the better scientific explanation. Yet it doesn’t seem that an exception to the conflict rule is warranted in Elle’s case either. Her experience can’t be verified, and the alternate hypothesis comes ready-made with an explanation for how her experience is illusory; she can’t cite the vividness of her experience to prove that it isn’t a hallucination. So, even if Elle can’t help but believe what she does, it seems that Sagan is wrong to suggest that she is justified in her conclusion.

Answering Contact’s Big Question

But there are two things Elle doesn’t know that seem to indicate that, although it wasn’t justified, her conclusion was right—and these things, I think, keep the movie from truly having an ambiguous ending.
The first is the exterior effects of the machine. Right before Elle is dropped, as the machine reaches full capacity, it creates an apparent gravitational effect that pulls an observing ship, the water it sits in, and the control room itself, towards it. This makes perfect sense if the machine is creating a wormhole; to do so, it would have to bend spacetime significantly and thus generate just such an effect. This makes no sense, however, if this machine is just part of an elaborate hoax. Even if Hadden had developed some edgy experimental technologies that he was trying to trick the government into trying out, something that could create such an effect is too far beyond our current capabilities. This makes the Hoax/Hallucination hypothesis non-simple and non-conservative. The best explanation for the exterior effects of the machine is alien technology.
The second fact is classified and revealed to the audience at the end of the film: although Elle’s personal video recorder records only static, it records 18 hours of it—a time that coincides with how long Elle’s experience seems to be. The Hoax/Hallucination hypothesis predicts that, no matter what it records, it shouldn’t be longer than a few minutes. So it simply can’t account for this. This makes the Alien/Contact hypothesis fruitful but the Hoax/Hallucination hypothesis unconservative.
These two things together clearly indicate that, indeed, Elle does contact aliens. Although, given what she knows, trusting her personal experience over the available evidence is irrational, it happens (in this case) to drive her to the right conclusion. (Again, although this is rare, because inductive reasoning doesn’t guarantee its conclusion, the rational conclusion can sometimes be wrong.) If only she was made aware of this other evidence, she’d be justified in her true belief. It wouldn’t require faith.
In fact, even though at the time of her testimony her personal experience isn’t reason enough to justify accepting the Alien/Contact hypothesis, it is different enough from Palmer’s experience to potentially have the power to do so. Why? It’s repeatable; it’s verifiable. Just send someone else through the machine! I mean, it’s already built, right? How expensive could it be? Hell, send Senator Kitz. If he falls through without experiencing anything, then okay—it was a hoax. But if he experiences traveling through a wormhole…well, there you go.
What can all this reveal about belief in God?
If God’s existence can neither be proven nor disproven, then it’s entirely possible that God exists, even if (as we saw above) that isn’t the justified conclusion to draw given what we know. But, until additional, reliable evidence is brought to bear, it seems the rational conclusion is to embrace atheism. Unfortunately for the theist, although people have been trying to bring such evidence to bear for hundreds of years—the cosmological argument, the teleological argument, the ontological argument, etc.—they are considered by most philosophers and scientists to be entirely unconvincing. (I lay out why in lectures 15-17 of “Exploring Metaphysics.”) Unless a breakthrough in these arguments is yet to be had, just like Elle’s belief in aliens at the end of the film, it seems that theistic belief is destined to remain a matter of faith.
Now, I’m not saying it’s certain that God doesn’t exist. As we’ve seen, even Sagan would object to such a strong position. But one need not do so to be an atheist. An atheist is merely someone who doesn’t believe that God exists. (We are all atheists of a sort; like me, you probably don’t believe in Zeus.) Indeed, one doesn’t need certainty to even claim to know that God doesn’t exist. Knowledge doesn’t require certainty; it only requires justification. (Otherwise, given movies like Inception and The Matrix, I couldn’t even know that the world was real.) And if atheism is the better explanation, then embracing it is justified. So if, in fact, God does not exist, the atheist has a justified true belief—and that, traditionally, counts as knowledge.
But whether you are an atheist like Elle, a theist like Palmer, or an agnostic like Sagan, you have to agree that twenty years later, Contact still proves to be a science fiction classic. It makes us think, it challenges our beliefs, and still makes us wonder: what really would happen if we made contact?

Philosophical Reflections on the Doctor Who 50th Anniversary Special

by David Kyle Johnson

Doctor Who is the longest-running science fiction television show on the planet – possibly the longest running television show period. It chronicles the adventures of “The Doctor”, a time traveling alien who traverses all of time and space in his TARDIS – a spacecraft that looks like a 1960s era London police box that is “bigger on the inside” (i.e. smaller on the outside). It debuted in 1963 with the episode “An Unearthly Child” and celebrated its 50th anniversary in 2013 with a special episode, “The Day of The Doctor,” which aired on BBC One but was also simulcast in theaters throughout Europe and America.
Doctor Who has such staying power for, I think, a couple of reasons. One is that, since The Doctor can travel anywhere in time and space in his TARDIS, two episodes are rarely alike. One episode will be hard-core spaceship science fiction, the next will be a horror/monster story set in present day Earth. One will be a Western and the next will be a history lesson. Although technically Doctor Who is science fiction, it has dabbled in almost every genre; there really is something for everyone.

Is The Doctor Still The Doctor?

The show also stays fresh because the cast is always changing. New companions are continually joining The Doctor in adventures and then eventually going back to “regular life” (although we’ve seen that no one’s life is “regular” after meeting The Doctor). In addition, The Doctor is continually changing. As a Gallifreyan Time Lord, upon suffering a mortal wound, The Doctor can regenerate; his cells repair by spontaneously replacing themselves, and at the end of it he comes out looking like (and acting like) a new man (played by a new actor). The First Doctor was a crotchety old man traveling with his granddaughter, the Eleventh Doctor (who headlined the 50th) was the youngest yet – a bowtie wearing large-chinned whippersnapper with a quirky personality. In the meantime he’s been our favorite pleasant uncle (Third), a cricket player (Fifth), a jelly-baby loving absent-minded comedian (Fourth), a clown (Sixth) and Moe from The Three Stooges (Second).
One tends to wonder: is each version of The Doctor numerically the same singular person? Of course, they have different personalities, but you’ve had different personalities, too. I bet you and your eight-year-old self are a very different kind of person. But you are still the same singular person, right? If you wronged someone when you were eight years old, it would be your duty to apologize to them today because it was you that wronged them. Along the same line, one wonders: if The Doctor did something morally wrong as one version of himself, would later versions be obligated to right that wrong? The “Twelfth Doctor” (played by Peter Capaldi) certainly seems to think so, as he expressed his intention to right some of the past wrongs that his previous incarnations were responsible for in the last 2000 years.
In the fourth chapter of “Doctor Who and Philosophy: Bigger on The Inside”, I argued that indeed each regeneration of The Doctor is the same singular person (at least if the concept of personhood is coherent to begin with). But, in the lead up to the 50th anniversary special, it seemed my conclusion was in danger of being falsified.

Must I Buy New T-Shirts?

At the end of “The Name of The Doctor”, the episode which sets up the 50th anniversary special, we became aware of the existence of a hitherto unmentioned version of The Doctor played by John Hurt. The episode ends with the words “Introducing John Hurt as The Doctor”, but in the episode’s closing dialogue, the 11th Doctor indicates that, although this new character is the same person, he is not “The Doctor”.

The 11th Doctor: Clara, you can hear me. I know you can.
Clara: I don’t see you.
The 11th Doctor: I’m everywhere. You’re inside my time stream. Everything around you is me.
Clara: I can see you. Your different faces are here.
The 11th Doctor: Those are my ghosts. My past. Every good day, every bad day…
Clara: (Spotting a mysterious figure) Who’s that?
The 11th Doctor: Never mind. Let’s get back.
Clara: No, who is he?
The 11th Doctor: He’s me. There’s only me here; that’s the point. Now let’s get back.
Clara: But I never saw that one. I saw all of you. 11 faces, all of them you. You’re the 11th Doctor.
The 11th Doctor: I said he was me. I never said he was The Doctor.
Clara: I don’t understand.
The 11th Doctor: My name, my real name—that is not the point. The name I chose is “The Doctor.” The name you choose—it’s like a promise you make. He’s the one who broke the promise… he is my secret.
The Figure: What I did, I did without choice…
The 11th Doctor: I know.
The Figure: …in the name of peace and sanity.
The 11th Doctor: But not in the name of the Doctor.

We learned more about this non-Doctor figure in a small prequel teaser episode called “The Night of The Doctor”. It seems that, after trying to stay out of the Time War, the eighth version of The Doctor (played by Paul McGann) became convinced that he must intervene to stop it. He realized, however, that to do so he must cease being The Doctor because, as The Doctor, he “will not fight”. To him “The Doctor” is synonymous with “The Good Man”. Instead he must become a warrior. “I don’t suppose there’s any need for a Doctor anymore” the Eighth Doctor said before regenerating. “Make me a warrior…”
Although the credits this time introduce John Hurt as “The War Doctor,” it seemed that, contrary to my previous conclusion, each reincarnation of our favorite Time Lord is not necessarily identical to The Doctor. This would be good news for fans. Online, one of the biggest worries was that all this John Hurt business was going to mess up the numbering. It is well established in the Doctor Who universe which number belongs to each Doctor: William Harnell is the first, Patrick Troughton is the second… and Matt Smith is the eleventh. But if John Hurt comes after McGann, doesn’t everyone after McGann have to move down one, making Matt Smith the 12th Doctor?
Do we all need to buy new t-shirts?
Not necessarily. If John Hurt’s character is not The Doctor — because “The Doctor” is (by definition) “The Good Man” and John Hurt is, instead, a warrior — then no renumbering is needed and Matt Smith is still the eleventh version of “The Doctor”. True, Matt Smith is the twelfth incarnation of the nameless Time Lord who took on the “Doctor” persona, but he is only the eleventh incarnation of that man to do so. In short, despite what the credits suggest, John Hurt is not “The Doctor”. Instead he is, let’s say, “The Warrior”. But if that is true, now we wonder…

Who is The Warrior?

Before the airing of the 50th, I thought back to past episodes for clues regarding his identity. In the 23rd season of the original series, during the sixth Doctor’s reign, The Doctor was put on trial in front of the High Council of Gallifrey and prosecuted by a man named “The Valeyard”. The big reveal in the episode is that The Valeyard is actually—wait for it—The Doctor! As The Master (the Doctor’s arch enemy) puts it:

There is some evil in all of us Doctor, even you. The Valeyard is an amalgamation of the darker sides of your nature…

The High Council made a deal with The Valeyard to adjust the evidence against the Doctor; in exchange the Valeyard would get “the remainder of The Doctor’s regenerations”.
Of course, The Master also says that the Valeyard is “somewhere between [The Doctor’s] twelfth and final incarnation.” If that’s true, The Warrior can’t be The Doctor. The “The Night of The Doctor” clearly established that The Warrior is between the eighth Doctor (Paul McGann) and the ninth Doctor (Christopher Eccleston). But it’s unclear how hard and fast we are bound to a single line in a single episode of the 23rd season. After all, the eleventh Doctor once said he could regenerate 507 times (in “The Death of the Doctor”, an episode of The Sara Jane Adventures) even though it is well established that Time Lords are limited to 12 regenerations. And in “The Brain of Morbius” (a Fourth Doctor story), we see the images of 3 previous incarnations of the Doctor (William Hartnell, Patrick Troughton, and Jon Pertwee) before we see eight other faces intended by that episode’s producers and script editor to be earlier incarnations of The Doctor. (That would make Tom Baker the Twelfth Doctor!) We are dealing with 50 years of television here, people — sometimes writers play fast and loose with the details to get the story that they want.
What’s more, in “The Name of the Doctor” the Great Intelligence mentions that, before the end of his life, the Doctor will be known by many names: “The Storm, the Beast, the Valeyard”. To me, at the time, this sealed the deal. I might have told myself that line was written by writers leaving a clue about The Warrior’s identity, knowing it will be found by observant super-Whovians like myself. But upon watching the 50th anniversary special, I realized that I could not have been more wrong.

Seeing the 50th Anniversary Special

I was lucky enough to get tickets to a theater showing of the Doctor Who 50th Anniversary Special, “The Day of The Doctor”. It was amazing! Not only was the show itself spectacular, but watching for the first time what undoubtedly would become a classic episode of Doctor Who with a large contingent of fellow Whovians, many of whom were dressed in costume (I was Matt Smith’s doctor) was an experience unlike any other. The special itself was exciting, had a great story, was peppered with references to the show both new and classic, and was really funny. Watching Matt and David play off each other was magnificent and the special had everything wonderful about Doctor Who. It even did a great job of making fun of itself.
Initially, my only complaint was I didn’t understand how and why all 13 doctors showed up to save the day at the end. Don’t get me wrong, it was great to see them all again, but I just didn’t understand how and why they all needed to be there to save Gallifrey — or even how they knew they needed to be there. But after a little reflection (and watching it again at home) I figured it out. The necessary calculations to place Gallifrey in a “parallel pocket universe” would take “hundreds and hundreds and hundreds” of years; and the line “I started [that calculation] a very long time ago” was followed immediately by the arrival of The First Doctor “warning the war council of Gallifrey”. Given this, we are supposed to realize that our protagonist(s) visited The First Doctor. They had him start the necessary calculations in his TARDIS so that those calculations would be completed 1200+ years later. (Unlike before, when programming the sonic screwdriver to disintegrate the Tower of London prison door, a mere 400 years was not enough.) They then visited all the other previous incarnations of The Doctor, and told them when and where to be. Brilliant! So now my only complaint is that we didn’t see any of these meetings; but of course that likely would have broken up the action — and spoiled the surprise of seeing them all unexpectedly together at once during the show’s climax. Regardless, this was clever time travel sci-fi at its best!
I also spotted a bit of modern philosophy in the 50th, in the form of Doctors’ solution to the Zygon dilemma. By erasing the Zygons’ and the humans’ knowledge of who they were, The Doctors actually placed them in something analogous to what contemporary philosopher John Rawls called “the original position under a veil of ignorance”. Rawls argues that how fair and just a society is can be determined by how closely its laws and rules cohere to what he calls the “principles of justice”. The principles of justice are the principles that would be agreed upon by a group of people about to enter a society unaware of who they would be in that society. Rawls argues that such a group would agree to the most fair and equitable principles possible; they would protect each individual in that society equally because, for all they know, they could end up being any one of those individuals. As The Doctor(s) point out: “The key to perfect negotiation [is] not knowing what side you are on.” Of course, we are not told the conditions of the treaty that the humans and Zygons draw up, and I will leave it to you to find out what Rawls suggested the principles of justice are.
But perhaps my favorite moment came when Tom Baker made a new unique appearance as The Doctor towards the end. Apparently, the Doctor is destined to one day again take on one of his favorite faces (Tom Baker’s) and retire curating the special secret UNIT sci-fi time travel museum in London, located in a secret vault in the National Gallery, called “The Undergallery”.

Do We Have to Renumber the Doctors Now?

The 50th definitely put my Valyard hypothesis to rest. The Valyard was not even mentioned, and The Warrior’s story was completely tied up in The Time War. There is no way he had an opportunity to go prosecute the 6th doctor at a trial, and he had no reason to want The Doctor’s remaining incarnations. But the 50th did provide us with information sufficient enough to settle the big question: is The Warrior The Doctor? Do we have to renumber The Doctors?
Now the numbering of the first eight doctors has been pretty much set in stone; we watched each one regenerate into the next. There is no wiggle room to sneak in another. But when the show rebooted into 2005, we didn’t see the regeneration of the eighth doctor (played by Paul McGann). We just saw Christopher Eccleston playing a recently regenerated Doctor, and assumed he was the next one – the 9th. Subsequently, we thought, David Tennant was the 10th and Matt Smith was the 11th. But, as we have already seen, in “The Day of The Doctor” (and the mini-prequel “The Night of The Doctor”), the existence of a regeneration between McGann’s doctor and Eccleston’s doctor was established – one played by John Hurt. If this incarnation is The Doctor, that makes him the 9th Doctor, which would make Eccleston the 10th Doctor, Tennant the 11th, Matt Smith the 12th, and Peter Capaldi the 13th. Again, this is a big deal because, for Whovians, each Doctor’s number is practically his name.

Does Authorial Intent Settle the Matter?

Now, Steven Moffat (the current lead writer and executive producer of Doctor Who) assured us that renumbering will not be required. In an interview with BBC America he suggested that John Hurt’s character “is an anomaly, and therefore doesn’t count.” So you might think that the issue is settled and no more argument is needed. But this is not necessarily the case.
In aesthetics, the field of philosophy that includes interpreting art, there are different views regarding what determines the meaning of an artwork. Intentionalists suggest that the intentions of the creator of an artwork determines the meaning of an artistic work. If this is right, then presumably it is a done deal. Moffat says John Hurt is not The Doctor, and that’s that. But there are plenty of non-intentionalists who would disagree, and they have some pretty convincing arguments.
If intentionalism is right, then the meaning of many works of art – perhaps most of them – are forever lost, because the artists are long dead and gone and never revealed their intentions. Worse yet, this makes the meaning of art static; a work of art can only have the meaning its author intended, and it cannot change over time as society around it changes and the work becomes relevant in different ways. Weirder still, the meaning of an artwork can change at the whim of the artist’s intention, even though nothing about the work of art or anything around it changed — like when J. K. Rowling decided, after Harry Potter was complete, that Dumbledore is gay. Worst of all, intentionalism may misunderstand the very nature of art – as something that is presented, in the context of other art works, for public consumption and interpretation. (For more on these arguments, see Ruth Tallman’s chapter in my book Inception and Philosophy.)
Now, that’s not to say that there aren’t good intentionalist counter arguments to these points—there are. But even if you are an intentonalist about other art, you might still agree that a non-intentionalist approach is most appropriate for Doctor Who. Why? Because it doesn’t have one single creator. As the BBC special “An Adventure in Space and Time” taught us, the show was originally the brain child of the BBC’s Sydney Newman, and much of the show was originally shaped by producer Verity Lambert. The Daleks were an invention of Terry Nation. Doctor Who does not have one creator; there has been as much change over in the writing and producing staff as there has been in the cast over the years. Moffat is only the latest in a long line. So it would seem odd to give him unquestioned authority about the meaning of Doctor Who — even regarding his own episodes. After all, Moffat is perfectly fine going back and reinterpreting some of the episodes of his predecessor, Russell T. Davis. (I highly doubt that Davis thought his Doctors were actively suppressing memories of a lost incarnation that looked like John Hurt.) What makes Moffat immune from such reinterpretation himself?
This is not to say that all interpretations of art, or of Doctor Who, are on equal footing; interpretations that are inconsistent with the content of the artwork itself are not legitimate. But if this is right, we have to look to the canon of Doctor Who to settle the renumbering issue. We can’t rely on what Moffat says outside of the show to tell us what we should think. We have to look to the 50th anniversary special itself. If Moffat does not want John Hurt to be counted as one of the Doctors, the story he tells has to entail that he is not.

The Function of The Doctor

Now, one might wonder how it is even possible for John Hurt not to be The Doctor. If Matt Smith’s character is the same person as John Hurt’s (which the show established and Moffat admits), but we know that Matt Smith’s character is The Doctor, how can John Hurt’s characters fail to be The Doctor? If A=B, and B=C then A=C right? But “=” in that equation is expressing something about numerical identity — being the same singular thing. “The Doctor” does not. It has what philosophers would call a “functional definition”.
Things that are functionally defined are defined in terms of their inputs and outputs – how they behave. For example, anything that keeps time is a clock – whether that thing be a small object on your wrist, a large object on the tower, or a gold thing on a chain in The Doctor’s pocket. Whether it be made of gears and springs, or made of computer chips – if it keeps time, it’s a clock. And, in an effort to establish his interpretation into the canon (which, as the head writer, he has every right to do), Moffat’s writing suggests that “The Doctor” is defined in exactly the same way.
As we saw before, Moffat’s stories have established that “The Doctor” is not the main character’s name; instead it is a title — a description or persona he took on by making a promise to be a certain kind of person — a “good man” as The 9th Doctor put it. In the 50th, we even find out what that promise is: “Never cruel or cowardly. Never give up. Never give in.” So the fact that John Hurt’s character is the same person as Math Smith’s doctor doesn’t mean that he is The Doctor—anymore than the fact that you are the same person as your eight-year-old self means that you, right now, are a school boy/girl.
Presumably, not every person could keep that promise and be The Doctor. To be The Doctor, one also has to be the same person as the time lord that we know and love. Clearly John Hurt’s character is the same person. So now the question is, does his character keep that promise? Does he function in that way? If he does not, then he is not The Doctor and we do not have to renumber. But if he does…

John Hurt is The Doctor

John Hurt’s character is called “The Doctor” throughout the episode, and he is in the lineup of 12 at its end. Now, that doesn’t settle the issue, but what does is the fact that John Hurt’s character keeps the promise; thus, in every meaningful way, John Hurt’s character is The Doctor. If he had pushed the big red button and killed all the Time Lords, including the children, thus committing genocide (as he perhaps did in another timeline), he would not have been “The Good Man”. But John Hurt’s character fought against the urge to push the big red button from the beginning, and ultimately did not; he did not give up on finding another way or give in to taking what seemed like the only way out. After all, when John Hurt’s character observes “at worst, we failed doing the right thing, as opposed to succeeding in doing the wrong” (which prompts Clara to call him the “life and soul”) — and after Matt Smith calls Hurt’s character “Doctor” in return for his “it has been an honor and privilege” compliment — Hurt himself describes his character as “The Doctor” because he “tried to save Gallifrey, rather than burn it”.
Of course, at the beginning of the episode, the War Doctor says he does not deserve to be called The Doctor by the interface because he has “been fighting this war for a long time. [He’s] lost the right to be The Doctor.” As Matt Smith’s Doctor observed in “The Time of the Doctor”, he did not call himself “The Doctor” during The Time War. But, the thing is, even though he feels this way at the beginning, it seems that the primary aim of the entire special is to show that, contrary to his own opinion, John Hurt’s character is The Doctor — “The Doctor on the day that it wasn’t possible to get it right”. It seems to me that Moffat has the same problem as Matt Smith’s Doctor himself, who tells John Hurt’s character that he was just “pretending you weren’t The Doctor when you were The Doctor more than anybody else.”
So, when you interpret Doctor Who on its own merits, it seems undeniable that John Hurt is The Doctor. As big of a fan as I am of Steven Moffat and his stories, if he intended for this story to close off the possibility that John Hurt’s character is The Doctor, so we don’t have to renumber – as wonderful as the 50th anniversary is in every other way – he failed in that respect.
John Hurt is the 9th doctor, Christopher Eccleston is the 10th, David Tennant is the 11th, Matt Smith is the 12th and Peter Capaldi is the 13th. Right now, as I write this, I am looking at the cover of a Doctor Who magazine (Issue 464, October 2013) that calls Capaldi the 12th doctor. That doesn’t mean that he is; after all DWM is not cannon. That just means that few have watched the episodes that closely, including those at DWM. And, in practice, I doubt this reality will be formally recognized. People will still go with the old numbering. But I, for one, would like a poster of Capaldi’s Doctor that simply reads, “Lucky Number 13”.

On the Moral of Star Trek’s “Hide and Q”

by David Kyle Johnson

Star Trek: Mission Log is a podcast, hosted by John Champion and Ken Ray (and produced by Rod Roddenberry), in which they endeavor to give meaningful commentary and feedback on every single Star Trek episode and movie that ever existed (including The Animated Series). Although interesting trivia, fun poking and hilarious jokes are always on the menu, the main goal of the podcast is to examine the “morals, messages, and meanings” of every Star Trek episode, one at a time. I am a lifelong trekker. I remember the very first moment of seeing my first episode as a child (The Original Series’ “Spectre of the Gun”); I recorded, collected and cataloged (on VCR) every episode as a teenager; my friends and I had a 24 hour marathon when The Next Generation (TNG) ended in ’95; and I have multiple Enterprises and a 3-dimensional chess set on display in my collegiate office. I discovered the Mission Log podcast when they were about half way through The Original Series (TOS); I quickly caught up and have been loving keeping up every week since. So far they have covered The Original Series, The Animated Series (TAS), the first six movies, and they just started on The Next Generation.
I enjoy the cast immensely. I even watch the episodes along with John and Ken, and so far I have done so without feeling the need to comment. But Mission Log’s 105th episode provided fodder for a few philosophical lessons that I just couldn’t pass up. In it, John and Ken covered the first season TNG episode, “Hide and Q” (one of my favorites), where the seemingly omnipotent entity Q shows up and whisks away most of the bridge crew to play a “deadly game”—a game the purpose of which is to test Commander Riker and see if he is worthy of “a gift beyond any human dream.” Q gives Riker “the power of the Q,” making him able to accomplish anything by sheer will, in an attempt to get Riker to join the Q continuum. The episode ends with Riker attempting to use his power to grant his friends their ultimate wish; Riker in turn rejects Q’s offer when Riker’s friends reject his.
What primarily got my attention was Ken’s commentary on what he took to be the moral of the story. I hate to pick on Ken—he’s a great host—but he got it totally wrong. But before we get to that, a little setup is in order.

A Lesson in Logic

The first opportunity in the podcast for a philosophical lesson occurred when Ken accused Data of embracing a logical contradiction—one that should have made his positronic brain ooze out his ear. (I’m paraphrasing.) When Q whisks most of the bridge crew off to some twin-mooned planet to play his “deadly game,” Data observes that “considering the power demonstrated by Q the last time,” during their encounter at Farpoint, they could be “anywhere—assuming this place even exists.” But how can Data be standing on a planet, which he couldn’t be standing on if it didn’t exist, and yet consider the possibility that it does not exist? This, Ken insists, is illogical nonsense.
But it is standard practice in philosophy—and should be in regular life—to employ what is known as “the principle of charity.” Before we condemn anyone of saying something wrong or contradictory, or of making a bad argument, we need to consider whether there are alternate (more charitable) interpretations of what they said that are perhaps not so outlandish or obviously foolish. So, before accusing Data of embracing a logical contradiction, we need to determine whether there is a more charitable interpretation of his statement that is not logically contradictory.
So that is philosophy lesson #1. And indeed, I believe there is a better alternate interpretation of Data’s statement. Realizing what it is brings us to philosophy lesson #2.
People often accuse Plato of a similar contradiction. Plato believed in the “Realm of Forms”—a collection of perfect abstract objects that physical objects “participate in” to be the objects that they are. For example, the Realm of Forms contains a perfect abstract chair—and all things in this world we call chairs are chairs because they resemble (participate in) that Form. Think of the Realm as a kind of “idea heaven,” where there is a perfect example, in the form of an idea, of every possible thing there could be. Famously, Plato claimed that the Forms were “more perfectly real” than the physical objects that resembled them. But how could this be? How can an abstract object, which is really an idea, be more real than a physical object—something I can see, and taste and touch and even sit in or stand on. Indeed, how can something like “being real” occur in gradations? Either something is real, or it’s not, right? How can one thing be more real than another?
Unraveling this puzzle relies on realizing that the word “real” is ambiguous—it has multiple senses or definitions. The word “real” may refer to whether something exists (e.g., Ken Ray is real, Santa is not) or to whether something is genuine or natural. For example, one might say that plastic flowers are not real, even though they clearly exist. So when Plato says that the Forms are more perfectly real than the physical objects that resemble them, he is not saying that they “exist more” than physical objects—but that they are “more genuine.” If you want to know what flowers are actually like, you don’t look at a fake plastic one, you check out the real McCoy. (Insert your own “Bones” joke here.) Likewise, for Plato, if you want to know what justice is, you don’t look at just actions, but consider the Form of justice itself.
It seems to me—and in fact this is how I have always interpreted Data’s statement—that Data is doing something similar with the word “exists,” which is also ambiguous. In fact, its alternate meanings resemble very much the alternate meanings of “real.” For example, members of the TNG crew often say that holodeck projections don’t “exist,” even though they are made of matter, take up space, can kill you if the safety protocols are off, and be fallen in love with (e.g., Riker, Geordi, and Lwaxana Troi). When one tells a holodeck projection that it doesn’t exist, one is not engaged in a logical contradiction—one is utilizing an alternate definition of the word “exist.” In the same way, Data is wondering whether or not the planet on which Q has put them “exists”—whether it is genuine or natural. They could be on any one of the billions of planets that already existed in the universe before Q whisked them away, or Q might have created a planet specifically for them as a game board. If the latter is true, the planet they are on does not really “exist”—at least, not in the same way that other natural or genuine planets do. So Data’s statement, when interpreted charitably, is not logically contradictory at all.
Now, I think that is a fun logical point, and something good to know about Plato. But this will actually help straighten out something else Data says later on in the episode—so hold on to that thought.

Ken’s Pet Peeve

Both John and Ken are big Trek fans (one would have to be to host Mission Log), but Ken has a pet peeve with the show that has been a point of contention in quite a few episodes of the podcast. Occasionally, The Original Series had episodes where the moral of story was, as Ken puts it: “The best thing a person can do is struggle.” Or, “it’s not good to be perfectly happy; you have to work and toil.” For example, anytime Kirk and the gang ever came across a planet or society that had all of their needs provided or were living perfectly content lives, Kirk would decide for them that “that is no way to live,” and destroy the means by which they had attained their utopia—causing them to once again struggle to survive and live. This happened in, for example, “This Side of Paradise” and “The Apple” and was most certainly a lesson of “I, Mudd.” As Scotty and McCoy said to the androids offering them a contented life in the latter episode:

MCCOY: You offer us only well-being.
SCOTT: Food and drink and happiness mean nothing to us. We must be about our job.
MCCOY: Suffering, in torment and pain. Laboring without end.
SCOTT: Dying and crying and lamenting over our burdens.
BOTH: Only this way can we be happy.

The idea is that struggling is good, for its own sake. It’s better to always want than to have, and you should never have anything just handed to you—you have to earn everything through suffering because suffering is virtuous. This drives Ken crazy—and, I think, with good reason. Society will likely never reach a state where there is no want or need—where everyone is fed, safe, and is able to live their life as they wish in harmony with everyone else. But (as Ken has often pointed out), if we can’t even pretend in our fictional stories that reaching that state is a good thing—if, even when we see it in our fantasies, we “run from it”—then something is very wrong with us. After all, it’s very easy for those of us living in the first world, who have most of our needs met, to insist that work and toil for life’s necessities is needed. But how much do we really work and toil? Have we really earned the life we have? Have we done something more than those in third world countries who struggle to even eat or find potable water? What if aliens came down and told us that we had it too easy—that we weren’t working and toiling hard enough. What if they destroyed all our infrastructure, forcing every family to grow their own food to survive, in the name of living a life more in line with their values?
Although, apparently, I am the odd man out for agreeing with Ken on this (and I do want to make it clear that I am 100% on Ken’s side on this issue), I don’t want to mount a detailed defense of his position on this issue this time. On the contrary, in an effort to teach some more philosophical lessons, I want to offer some constructive criticism of how Ken went about defending this position during the Mission Log episode on “Hide and Q.”

Turning Down Riker

At the end of the episode, thinking it could do no harm, Riker offers to give every member of the bridge crew their greatest desire with his new powers. To Wesley: Adulthood. To Geordi: his sight. To Data: his humanity. To Worf: a good lay by a sexy Klingon woman. But each one, eventually, turns him down. According to Ken, they all do this because they are employing the dreaded assumption—thinking that instead of getting what they want, they should suffer for suffering’s sake. They should always want and never have; they should just accept their lot in life. And so, again, Ken makes the valid point that suffering for suffering’s sake is ridiculous.
The problem is, none of the crew members turn down Riker’s offer for anything like any of these reasons. How do I know? Because each is completely and unequivocally clear about their reason for turning Riker down—and none of the above reasons are mentioned. Worf, for example, turns down the prospect of sexy time with a Klingon mistress because she comes from a world that is “now alien” to him, and because he no longer has a “place for [sex] in [his] life.” Like Q, I have no idea what possessed him to draw that conclusion. And as we shall see later in the series, Klingon culture is not alien to him, and sex does have a place in his life. (He fathers a child.) But, nevertheless, these are the reasons he gives—and they have nothing to do with suffering for suffering’s sake or not “earning it.”
Ironically, this may be one case where something like that reasoning is legitimate. Suppose you love someone, but they don’t love you back. Suppose, however, that Q shows up and offers to make them love you. Would you take him up on it? Probably not, because you want them to love you on their own; if they don’t love you on their own, then it’s not genuine. You want their love to be “real,” not forced or fabricated. (Amanda Rogers learns a similar lesson, in True Q, when she uses the power of the Q to make Riker love her.) If they don’t love you, you have to earn it—perhaps by getting them to know you better—it can’t just be handed to you. Likewise, Worf might only want to have sex with someone who genuinely loves him, not someone who was created just for that purpose—who is forced to long for his Klingon loins. But, then again, what do I know about Klingon sex?

“Make Me the Way I Was. Please!”

Riker gives Geordi (who was born blind) his sight, but after (awkwardly) observing how beautiful Tasha is, he demands that Riker change him back. But, again, he doesn’t do this because he didn’t earn his sight. (After all, what would that even mean? His blindness is genetic.) And he doesn’t do it because he feels the need to suffer for suffering’s sake, or because he thinks he should just “accept his lot in life.” Instead, he says, it’s because “the price is a little too high for me and I don’t like who I’d have to thank.” It’s not clear whether it is Q or Riker that he thinks he would have to thank—so it’s not clear who he doesn’t “like.” But it is quite clear that he turns down the offer to avoid being in deep debt to someone he doesn’t like. I, myself, have turned down offers of money or favors for just this exact reason; I don’t want someone else to be able to lord it over me. As my mother might say, “Favors from some people are their way of gaining power over you.”
Ken insists that this can’t be Geordi’s reason because it is an illegitimate reason. To prove this, Ken quotes Bane, from The Dark Knight Rises, who refuses to do what the financier who bankrolled him wants upon request. “Hey, I’ve been bankrolling you!” the financier insists. “And you think this gives you power over me?” Bane replies. Bane refuses to let a favor from someone be a reason to let them lord it over him.
But as an argument for thinking that Geordi is actually refusing Riker’s offer of sight because “he didn’t earn it,” or because “he should just accept his lot in life and suffer for suffering’s sake,” this argument falls short for a few reasons. First of all, even if Geordi’s professed reasoning—”it’s too high a price”—is just a front, it doesn’t automatically follow that he is actually employing the “I didn’t earn it/I should suffer” reasoning. There are a whole host of other reasons that he might secretly have. Maybe, when it comes to it, he doesn’t want to give up the “super-sight” his visor gives him. Or maybe, now that he has seen it with his own eyes, he thinks his visor looks cool. A separate argument would be needed to draw the conclusion that he is employing the “I didn’t earn it reasoning”; yet neither Geordi, nor anyone else (including Ken), says anything to indicate that Geordi is employing that reasoning. To think that the “I didn’t earn it/I should suffer” reason is the only other option employs the fallacy of “false dichotomy”—thinking there are only two options, when in fact there are more.
Second, even if “it’s too high a price to pay” is an illegitimate reason, it doesn’t follow that that reason is not the reason that Geordi rejected Riker’s offer. People do things for illegitimate reasons all the time. You might try to convince someone not to do something by pointing out that their reason for doing it is bad; but you can’t establish that someone didn’t employ a reason by pointing out it was bad. For example, even though “they’re cute” is a really bad reason to have a baby, that doesn’t mean no one has ever decided to have a baby because they are cute. Ken’s reasoning here perhaps violates something like a converse of the “ought/is” rule. It is often suggested that you can’t derive what ought to be the case simply from what is the case; you can’t get an ought from an is. Conversely, you can’t derive what someone’s reason actually was, based on what their reason should have been. The fact that a reason is illegitimate doesn’t mean that reason wasn’t employed.
Now, if we knew that Geordi was the kind of person who would not employ such reasoning—either because it would be outside his character, or because he’s not stupid enough to employ an illegitimate reason—then I suppose we could know that his “too high a price” reason was just a front. But the thing is, not only is employing that reason not outside of Geordi’s character, but in fact it is a very good reason to turn down Riker’s offer.
To see why, let’s look at how Ken’s “Bane Analogy” breaks down. First of all, Bane is a super villain, and super villains are not likely to be bothered to feel twinges of guilt— or to feel obligated to return favors for that matter. Geordi, on the other hand, is a pretty gentle guy; he’s also smart and likely wants to avoid twinges of guilt and knows that he will feel obligated to return the favor. Anyone who has ever felt such an obligation, especially to someone they don’t like, can understand why it’s something to be avoided. So it seems that the “too high a price” reason is consistent with Geordi’s character. Secondly, Bane refusing to do what his financier wants him to do won’t “un-bankroll” him. The money has already changed hands. Now that they money has been given and spent, the financier really has no power over Bane. Q, on the other hand, could take away Geordi’s sight again with the wave of a hand; Q giving Geordi his sight really would give Q power over him. So, if Geordi wants to avoid this, in fact he should turn down Riker’s offer.
So, although it’s true that if Geordi was employing the “I didn’t earn it/I need to suffer” reasoning, Ken would have plenty to legitimately complain about, Geordi is not employing this reasoning. Ken is, so to speak, barking up the wrong tree.

Compounding Illusions

When Riker offers to grant the android Data his most obvious and expressed desire – to be human – Data turns him down outright. Ken again complains that Data is employing the “I didn’t earn it/I should suffer” reasoning. But, once again, it’s quite clear that he is not. In fact, Data tells us exactly why he refuses.

RIKER: But it’s what you’ve always wanted, Data: to become human.
DATA: Yes, sir, that is true. But I never wanted to compound one [pause] illusion with another. It might be real to Q—perhaps even you, sir. But it would not be so to me. Was it not one of the Captain’s favorite authors who wrote, “This above all, to thine own self be true?” Sorry, Commander, I must decline.

Data, after a reluctant pause, is admitting that he thinks the possibility of him actually becoming human is an illusion. But he also does not want to compound that illusion with another. What illusion? The illusion that a “Q granted humanity” would be genuine or real. Data turns down Riker’s offer to make him human, not because he wouldn’t have suffered in his quest to earn it, or because he thinks he needs to (as Ken put it) “always want but never have.” Data refuses Riker’s offer because he wouldn’t consider humanity granted by Q’s power to be “real.” Others might even consider it real, but he would not—and that’s all that matters.
In fact, it seems that Data is employing reasoning similar to what he employed when speaking of the planet to which Q sent the bridge crew. If Q merely created that planet for the game, then that planet didn’t really exist – it wasn’t “real,” in the same way that characters on the holodeck are not real. Likewise, Data thinks his humanity would be an illusion—not real—if it were fabricated by Q.
Now whether this is true, and Q’s powers merely consist of creating illusions, is far from clear. At least at this point in the series, Q’s powers are not that well-defined. In fact, in “Hide and Q,” Captain Picard calls him a “flimflam man.” Regardless, this is clearly how Data views Q’s powers, and the fact that he would consider a “Q granted humanity” an illusion is the reason that Data turns Riker down.
It’s also not clear whether the possibility of Data becoming human really is an illusion. He certainly could not become a biological human being on his own, but “humanity” itself is another ambiguous term. Fans of the show know that Data eventually develops the ability to feel emotion, and that he sacrifices himself to save his shipmates in the closing scene of the last TNG movie, “Nemesis.” Some would argue that this act demonstrated that he had acquired his humanity.
Accepting Riker’s offer may have prevented Data from ever acquiring true or “real” humanity because, like genuine love, humanity may be something that Data does have to earn. Perhaps, only if he turns himself into something more like a human can it be said that he has attained humanity. Perhaps humanity is not like Geordi’s sight; regardless of how he gets it, if he can see, then he can see. But when it comes to humanity, perhaps the origin makes a difference. A humanity that is merely bestowed is not genuine. But even if Data wants the opportunity to struggle to earn his humanity for this reason, he is still not valuing that struggle for its own sake. Instead, it is a means to an end—the only way that he can accomplish his goal: to really, genuinely, be human. So, even then, he would not be endorsing the moral that is Ken’s pet peeve.

Following Your Own Path

The person closest to employing the “I didn’t earn it” reasoning is Wesley. Riker turns him into an adult because Wesley so often laments being looked over because he is a child, but Wesley concludes that it’s “too soon” for him to be an adult; instead he wants to get there on his own. Ironically, this is the one person whose reasoning Ken thinks is solid. Again, Ken is right – and mainly because, like everyone else, Wesley is not employing the “I need to suffer for suffering’s sake” logic. Wesley simply realizes that he’s not ready for adulthood, and he won’t be ready for it unless he gets there on his own–unless he “earns it,” so to speak. But, again, he doesn’t need to earn it because that will involve suffering, and suffering is always good. It’s because, in the process of growing up into adulthood, he will get the knowledge and maturity he needs to handle the powers and responsibilities of adulthood.
Something like this is the actual moral of “Hide and Q” – and it’s one that Ken overlooked, it seems, because he was concentrating so much on criticizing the notion of “suffering for suffering sake” (which, again, actually had nothing to do with the episode). In a conversation with Riker, Q reveals why he is trying to get Riker to join the Q continuum. Humans have a compulsion or hunger to improve themselves that those in the Q continuum lack and do not understand. This drive will actually cause humanity, in the distant future, to surpass even the power of Q. The continuum wants to prevent this by incorporating this hunger into the continuum, and to do this they want to incorporate Riker into the continuum. Captain Picard himself discovers this during his “Shakespeare-off” with Q.

PICARD: “Oh, I know Hamlet. And what he might say with irony, I say with conviction: ‘What a piece of work is man! How noble in reason. How infinite in faculty. In form and moving, how express and admirable. In action how like angel. In apprehension how like a god.’
Q: Surely you don’t see your species like that, do you?
PICARD: I see us one day becoming that, Q. Is it that which concerns you?

When Captain Picard is trying to warn Riker against using his powers, Picard hints at a point similar to Wesley’s:

How the hell do I advise you? You know the implications as well as I… What the Q has offered you has got to be close to immorality… If you are going to refuse his offer you must not allow yourself to use this power again. It’s too great a temptation for us at our present stage of development.

Although Picard is talking about Riker’s ability to resist the urge to use his powers, the “present stage of development” comment hints at the fact that—although having a Q type power is apparently something that humanity will one day grow into—humanity is not yet ready to wield that power. It seems that, just like Wesley, humanity has to grow up first before it’s ready for the responsibility of such powers. Those powers will come through a process of advancement (i.e., growing up), but that advancement will also develop the knowledge and maturity needed to wield those powers responsibly. So, like Wesley, humanity should just get there on its own.
But driving this point home is what Picard was doing when he authorized and supported Riker’s suggestion to try to use his powers to bring happiness to his friends. Perhaps the most confusing lines of the episode occur after everyone has rejected Riker’s offers, and he looks at Picard and says:

RIKER: How did you know, sir? I feel like such an idiot.
PICARD: Quite right. So you should.

What exactly did Picard know? What exactly did Riker learn? He learned that he is not ready to have such powers. That’s why he should reject Q’s offer: Riker has no idea how to use them responsibly or effectively. In fact, Riker having these powers is downright dangerous. If he doesn’t know how to improve the lives of those he knows best with his new powers, how could he do anything else with them but bumble around the universe causing trouble? This is not a situation in which, as Ray might put it, “there is no down side.” Because Riker skipped the process of developing those powers, he did not develop the knowledge of how to use them responsibly.
So the real moral of the story seems to be that unearned power is dangerous because, unless it is earned, it doesn’t come with the knowledge of how to use it properly. It has nothing to do with suffering for suffering’s sake, or accepting your lot in life. The moral is simply this: Don’t try to grow up too fast; it can be dangerous.

The Human Equation

It’s not clear, however, that this is the only reason Picard wants Riker to reject Q’s offer. As Ken suggests, Picard does seem to have a problem with Riker stepping outside the “org chart”—not being Picard’s subordinate anymore. Picard tries to assert his dominance numerous times. But Picard also makes a wager with Q on whether or not Riker will take up Q’s offer: if he does, Picard loses his command; if Picard wins, Q must never trouble humanity again. There is a lot at stake. But, most importantly, its humanity versus the Q continuum. Picard recognizes that losing Riker to the Q continuum means that they will gain humanity’s hunger for improvement; if so, humanity will forever be left in their wake. The long-term fate of the human race is also at stake.
The only other moral suggested by the writers appears when it becomes clear that the rest of the bridge crew is apprehensive about Riker:

PICARD: Perhaps they’re remembering the old saying, “Power corrupts…”
RIKER: “…and absolute power corrupts absolutely.” Do you think I haven’t thought of that, Jean-Luc?

“Bonk, bonk on the head!” It was a discussion of this notion, along with the real moral of the story that I was looking forward to in the Hide and Q episode of Star Trek: Mission Log. Questions like:
• Is it really the case that absolute power corrupts absolutely, or does it only corrupt “except for when it doesn’t” (as John briefly suggested)?
• Is “growing up too fast” always dangerous?
• Does attaining power “the natural way,” always get you the knowledge you need to use it?
• It is possible that humanity really will one day be as powerful as Q?
• Would the process of developing those powers come with the knowledge to use them?
• Is it even possible to have enough knowledge to really know how to use Q-like powers?
• Are there people in our society that have power they didn’t earn?
I find the last question particularly interesting. Perhaps many of the things wrong with the world today are due to the fact that people have powers that they did not earn and thus do not know how to use properly—like powers to kill, or powers to communicate their stupid ideas. What would the world be like if you had to develop a power yourself before you could use it? Just as a silly example: How would the comment section on YouTube change if, to use it, you had to have the schooling necessary to have a basic understanding of how computers and the internet work? More seriously, would anyone smart enough to know how to design and build a tank, or a laser guided anti-aircraft missile, or a computer and video editing software be stupid enough to join ISIS? In fact, if such knowledge was required—would it even be possible for there to be standing armies?
It seems that Ken has become so upset about the “suffering for suffering sake” moral that he’s become a bit of a conspiracy theorist about it. Conspiracy theorists will not only ignore evidence against their favorite conspiracy, but they will see evidence of conspiracy everywhere. They will even take a lack of evidence for a conspiracy to actually be evidence of conspiracy, because “how else could the evidence of the conspiracy be so well hidden?” Consequently, conspiracy theories are unfalsifiable – they are impossible to disprove; this is part of what makes them irrational. And not only is Ken ignoring the evidence that the “suffering for suffering’s sake” moral is not the moral of this episode – Geordi and Data bonk us over the head with alternate reasons and the writers with alternate morals – but Ken simply seems to be seeing this objectionable moral everywhere. Although it is Riker’s story, and so it is to the lesson that Riker learns that we should be looking for the moral of the story, Ken admits to intentionally looking past Riker to Geordi and Data for the moral. Why? Because, it seems, if he squints he thinks he can see the dreaded “suffering for suffering’s sake” moral and complain about it.
I’m really not trying to pick on Ken. This is a common human mistake—and Ken is only human. I’ve made the same mistake myself. And, again, Ken is completely right in my opinion that the original series often did endorse the “suffering for suffering’s sake” moral—especially when Kirk would ruin utopias—and that it is a horrible moral to endorse. As the practical joke pulling Enterprise once made clear in The Animated Series, “Kirk is a jerk.” But whether or not a Next Generation episode endorses this moral remains to be seen. (It might be in third season episode “The Bonding,” but ultimately I don’t think so.) Captain Picard has already done better than Captain Kirk by leaving the scantily clad blonde jogging Edo people of Rubicon III, their society, and their Val-like protector god intact. I for one think that Ken will have a lot less to complain about in Star Trek: The Next Generation, when it comes to the endorsement of this moral—at least, if he stops making up reasons to be upset about it. But I’ll be willing to admit it if I am proven wrong.

In Defense of The Matrix Saga

by David Kyle Johnson

The Matrix is one of the most celebrated science-fiction movies of all time. Its widely held, however, that the sequels are not. As recently as the Matrix 15th anniversary, reviewer Dan Seitz simply called them “undeniably terrible.”1 But I would like to argue that they should be celebrated – especially the second movie –and that the entire saga should be accorded a favored status in your sci-fi movie collection. It’s my contention that most people didn’t like the sequels because most people didn’t understand them; and most people didn’t understand them because the movies presupposed unfamiliar philosophical concepts. The first movie was inspired by the problem of philosophical skepticism; how can you know for certain that you’re not, right now, trapped in something like the Matrix? In the same way, the sequels also borrowed heavily from philosophical notions, but they were notions that not everyone was as familiar with—or, perhaps, that were not as easily understandable. So it’s my goal to get you to appreciate the Matrix sequels by getting to you to understand those notions, and thus a little bit about philosophy itself.
One of the major obstacles to understanding the sequels was the Architect – the Colonel Sanders looking guy in the room filled with TV screens who designed the Matrix. He basically explains the entire saga, but he does so in such a convoluted way that it’s almost impossible to track. In all honesty, he talks kind of like a bad philosopher; I had to type out his dialogue and study it to figure out exactly what was going on. But it was worth it to figure everything out.

The Matrix 1.0 and the Problem of Evil

One of the first things that he tells us is that the first Matrix he designed was perfect, a utopia. In Reloaded he tells it contained no evil – and it crashed as a result.

The first Matrix I designed was quite naturally perfect. It was a work of art… flawless, sublime. A triumph equaled only by its monumental failure. The inevitability of its doom is apparent to me now as a consequence of the imperfection inherent in every human being. Thus I redesigned it, based on your history, to more accurately reflect the varying grotesqueries of your nature.

Agent Smith alluded to this version of the Matrix in the first movie when he pointed out that, while the first Matrix was perfect, “entire crops were lost” because it was a world that our “primitive cerebrums” kept “trying to wake up from.” The world was perfect, and we couldn’t stand it.
Philosophically, this points to the problem of evil – the question of how a perfectly benevolent God could author, or even allow, evil to exist in the world. In response, some philosophers have suggested that we need evil in the world. If everything were good, they suggest, we would not be able to recognize anything as good. And who would want to live in a world where nothing seems good? Of course, we still might wonder why there is so much evil in the world; that’s called the evidential problem of evil. But it is here we see our first underpinning of a philosophical concept.

The Matrix 2.0 and Free Choice

Adding evil to the Matrix didn’t keep it from crashing again. Something else stood in the way.

…I was again frustrated by failure. [T]he answer eluded me because it required… a mind less bound by the parameters of perfection… an intuitive program initially created to investigate certain aspects of the human psyche [i.e. The Oracle]. She stumbled upon a solution whereby nearly 99% of all test subjects accepted the program as long as they were given a choice — even if they were only aware of the choice at a near unconscious level.

Evidently, in the first two versions of the Matrix, unplugging wasn’t an option. The program was forced upon us. (This is why the first utopian Matrix was only something that we could try to wake up from.) But forcing the Matrix upon its inhabitants made the system crash, apparently because it interfered with their free will. The solution to this problem was to give the habitants of the Matrix a choice to accept or reject the program.

Free Will and Why the Machines Need Zion

But this created another problem.

While this answer functioned, it was obviously fundamentally flawed, thus creating the otherwise contradictory systemic anomaly that, if left unchecked, might threaten the system itself. Ergo, those that refused the program, while a minority, if unchecked would constitute an escalating probability of disaster… You [Neo] are here [at The Source] because Zion is about to be destroyed—its every living inhabitant terminated, its entire existence irradiated.

So giving the inhabitants of the Matrix a choice to reject it (to unplug and wake up) led to the existence of Zion – the city outside the Matrix where those who reject the program go to live. Zion serves as a home base for those trying to free inhabitants of the Matrix, so you can see how it’s a problem that the machines can’t ignore. Left alone, they would eventually free everyone, and then… no more Matrix, no more power, and the machine world dies.
But wait a minute. Why don’t the machines simply kill people when they choose to unplug, instead of letting them go live in Zion? That way there would be no Zion and thus no threat. I mean, they certainly could do this. When Neo woke up in the first movie, the machine had to come and unplug him. Why didn’t it just kill him? But not only do they not do this, the machines actively make sure that Zion exists. Even after they destroy it, they rebuild it.

The function of The One is now to return to The Source, allowing a temporary dissemination of the code you carry, reinserting the prime program. After which, you will be required to select from The Matrix 23 individuals (16 female, 7 male) to rebuild Zion.

Why do they do this? Isn’t this the hard way to neutralize the threat created by giving the inhabitants of the Matrix free will?
This is where some philosophy comes in handy. As we have seen, in order for the Matrix to function, its inhabitants must have the freedom to accept the program on their own. But freedom requires free will — the power of free choice. But what does free will require? Classically, according to philosophers, it requires alternate possibilities. This fact is expressed by the Principle of Alternate Possibilities: if a person is to freely decide to do some action, it must be possible for that person to do something else besides that action.
The debate about the truth of this principle, and how exactly it should be formulated, takes up thousands of pages in philosophy journals. But it also helps us understand why the machines need Zion; it is the alternate possibility that allows the inhabitants of the Matrix to have the freedom to choose. Not only do the inhabitants of Zion sometimes make the inhabitants of the Matrix consciously aware of the alternate possibility of a life on the outside, but the existence of Zion makes a life on the outside a real possibility — one the inhabitants of the Matrix can even know about unconsciously. In short, we might say, the machines need Zion because they need the inhabitants of the Matrix to have a choice. We might say that choosing between accepting the Matrix or death really isn’t a choice at all.

The “Others” and the Eternal Return

But the real kicker comes when we take an even closer look at the Architect’s words. When Neo first arrives at The Source, the Architect knows what questions Neo will ask before he asks them, and notes that Neo is figuring things out more quickly than “the others” who had been there before him. Surrounding Neo are screens, containing his image, each of which represents a possible way that he could respond. “Others? What Others?” one of them asks. “The Matrix is older than you know,” the Architect replies. “I prefer counting from the emergence of one integral anomaly to the emergence of the next, in which case this is the 6th version.” Neo is the anomaly, so what the Architect is saying is that there have been 5 other Neos — five other “chosen ones” — who have been to The Source before him!
That’s a big reveal, but that’s not all. Like Neo, these others were all lead to The Source by the prophecy, which promised that by reaching The Source they could end the war. But, instead, they were —again like Neo — simply presented with a choice:

  • Cooperate with the machines, exiting the Matrix so it can be rebooted and help repopulate Zion (once it is destroyed); or
  • Rebel against the machines, reenter the Matrix, thus eradicating humanity.

In Neo’s case, choosing to rebel allowed him to save Trinity — so that’s what he did. But the previous five chosen-ones cooperated. As the architect points out, “this will be the sixth time we have destroyed [Zion] and we have become exceedingly efficient at it.”
Packed into this little bit of dialogue is quite a few reveals. First of all, the prophecy was a lie — a way to manipulate the chosen one(s). It was just a trick to force them to make their way to The Source so that they could choose to cooperate with the machines in restarting The Matrix and Zion (and thus continue to provide the machines with power). And not only have there been five other chosen-ones, but five other versions of the Matrix. Five previous times the machines have restarted Zion and The Matrix, let them run for about 100 years2, and then wiped the slate clean by destroying both and starting over again. The philosophical and religious concept of the “Eternal Return,” where the universe is repeatedly created and destroyed, springs to mind.
For my money, this reveal is just as shocking — it’s a twist just as jarring as the one we get in the first movie, when we learn what the Matrix is. Nothing is as it seems; even our heroes aren’t heroes. Neo’s been duped and the Oracle was in on it. What’s more, they don’t hit you over the head with it; the Wachowskis don’t feed you this with a spoon. There is no spoon! You have to pay attention and think. This alone, I think, makes Reloaded — at least philosophically — just as good as The Matrix.

Determining the Future

But it doesn’t stop there. The Architect knew that Neo was going to rebel by choosing to try to save Trinity instead.

…we already know what you are going to do, don’t we? Already I can see the chain reaction, the chemical precursors that signal the onset of an emotion, designed specifically to overwhelm logic and reason — an emotion that is already blinding you from the simple and obvious truth: She is going to die and there is nothing you can do to stop it.

The Architect sees Neo as a simple biological machine whose behavior is dictated by his brain structure. If he wants to know what Neo will do, the Architect just has to look at the material of his brain and figure out what the laws of physics necessitate will happen. Everything is just a matter of cause and effect.
This view is shared by the Merovingian, who sees the entire world this way:

It is, of course, the way of all things. You see, there is only one constant, one universal, it is the only real truth: causality—action, reaction, cause and effect. … Choice is an illusion, created between those with power, and those without. … This is the nature of the universe. We struggle against it, we fight to deny it, but it is of course pretense; it is a lie. Beneath our poised appearance, the truth is we are completely out of control. Causality. There is no escape from it. We are forever slaves to it.

Philosophically, this view is called determinism. What is happening at any moment in time is merely the physically necessary causal result of what was happening the previous moment in time. Someone who knew where everything was, and knew the laws of physics, would be able to simply do the math to figure out what will happen in the next moment, and the next — all throughout time.
But what if the world really is this way; and what if our behavior is deterministically predictable? Then it would seem that we are not free. If determinism is true, not only is our behavior not really up to us, but we can’t act otherwise. There are no alternate possibilities — but there must be if we are to be free.
The world of The Matrix seems to be largely deterministic. This, in fact, makes predicting what will happen even easier. The Architect doesn’t have to do complicated deterministic calculus to know what questions Neo will ask; he knows because the five previous chosen ones already asked them. The Oracle doesn’t have to be omniscient to know that Neo will break the vase in the kitchen and choose to sit on the bench in the park. She’s seen these things happen five times before. In fact, this seems to be how the Oracle gets a wealth of her foreknowledge. After all, she’s just a computer program like Smith and the Architect; she doesn’t have any mystical powers. She’s just seen it all before. It seems that the events that happen in the Matrix and Zion, each time they are reset, are basically the same.
But that can’t be the only way she tells the future. After all, the Oracle makes accurate predictions about what will happen after Neo refuses to cooperate with the machines. That’s never happened before. So the Oracle must be doing some deterministic calculus to figure out what will happen next. But her foreknowledge is not unlimited. As she tells Neo, she can predict the choices she “understands,” but she can’t see past those that she doesn’t. In other words, she can do the calculations up to the point where a real free willed choice is made, but beyond that she doesn’t know what will happen.
This, in fact, seems to be how she helps Neo defeat Agent Smith and end the war. She has seen the future up to the point where Neo must choose whether to sacrifice himself, or not. At that moment, Neo will lie at the bottom of a crater seemingly defeated and Smith will say, “Everything that has a beginning has an end, Neo.” And Smith gains this knowledge when he copies himself onto the Oracle. But what he doesn’t know is the limits of her knowledge — that she (the Oracle) doesn’t understand Neo’s choice. She “has faith” in Neo, but she can’t see what choice he will make. Consequently, neither can Agent Smith. He thinks that’s the end, but when Neo stands to seemingly fight again, despite the fact that he can’t win, Smith doesn’t know how to react. He no longer knows what’s going to happen. He reels back, and in a seemingly desperate move he copies himself onto Neo. This, of course, gives the machines direct access to Smith and allows them to purge him from the Matrix — which fulfills Neo’s end of the bargain and thus ends the war.

Do We Have Free Will?

So it seems that the world of the Matrix is not completely deterministic; every now and again — in important situations — choice creeps in. But is it truly a free choice? Well, suppose that Neo’s choice regarding whether or not to sit on the park bench is one that the Oracle is unable to predict by doing deterministic math. But suppose also that the Oracle knows that Neo will sit because all five of his predecessors chose to sit. It would seem that Neo’s decision, even though it is not causally determined, is still not free – he couldn’t do otherwise. So, although an action being determined is enough to make that action unfree, an action being undetermined is not enough to make it free. Being indeterminate is necessary, but not sufficient, for an action to be free.
Now we might think that Neo’s choice to rebel and save Trinity was a free choice because it was unique; you couldn’t predict it based on previous experience because none of Neo’s predecessors made that choice. But the Architect points out the reason that Neo will make that choice (while the others didn’t). It’s because Neo experiences his (pre-programmed) attachment to humanity in a specific way – a way that the others did not — as a love for Trinity. In fact, as we’ve already seen, the Architect was able to predict Neo’s rebellious action before he did it by looking at the causal processes of his brain. He could see Neo’s love for Trinity causing “an emotion, designed specifically to overwhelm logic and reason.” So, while being unique seems to be necessary for an action to be free, it is not sufficient.
It seems that the best candidate we have for a truly free action in the entire Matrix Saga is Neo’s choice to surrender himself to Smith at the end. It was not deterministically predictable and it was unique. But if we were to rewind and play that scenario five times, would Neo always make the same choice? Perhaps we would like to think so because we think Neo is noble – but then his action doesn’t look very free. He wouldn’t seem that he could have done anything else.
Is there free will in our universe, the real world? Well, fortunately, we know that our world is not deterministic. We know that there are events that happen at the quantum level that are random and without a cause. Unfortunately, this fact is not enough to justify belief in free will. For one thing, the randomness of quantum events usually gets averaged out on a larger scale; while the behavior of quantum events can be random, the behavior of large objects (like our brain) seems to still be deterministic. But let us imagine that, somehow, our actions are the result of quantum events; perhaps sometimes a single quantum event in our brain leads to a chain reaction that results in an action, and so that action is truly random and ultimately uncaused. Does that make it free? Unfortunately not. No one controls the outcome of quantum events; not even the outcome of quantum events in your brain is up to you. So the notion that our actions are randomly caused is just as incompatible with free will as the notion that they are deterministically caused, and an indeterministic universe is just as unfriendly to free will as a deterministic one.
In all honesty, the notion that humans have free will is difficult to defend philosophically. Only if human minds are made of a separable non-physical substance that magically reaches down from beyond the universe to cause our actions would we be able to make sense of our having alternate possibilities and our actions ultimately being “up to us.” Unfortunately, that “substance dualism” is untenable is one of the most agreed upon philosophical notions today3. This is largely because dualism stands contrary to basic laws of physics (like conservation laws), is inconsistent with neuroscience, and is limited in its explanatory scope4. This is perhaps not too surprising; the only notion that is less popular is the notion that humans have the kind of free will of which we have been speaking5.

Welcome to the Desert of the Real

There is a wealth of other questions raised by the Matrix Saga that philosophy could help us answer. How can Agent Smith copy himself onto a flesh-and-blood person, like Bane? Are we all programs too? Is the Merovingian the Devil? Is he, perhaps, the first “chosen-one”? Is Persephone the first Trinity? Are they, in fact, just the same person? I could go on and on.
In my opinion, the action sequences of “Reloaded” are enough to put it on par with “The Matrix.” The car chase scene alone, for which the Wachowskis built their own 10 mile stretch of highway (and which includes a fight scene on top of a moving semi) may put it over the top. But I think that an appreciation of the sequel’s plot and twists, revealed through philosophical examination, demonstrates that the sequels were greatly underappreciated. Hopefully, you now agree and are feeling the urge to go watch them all again.
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1 Dan Seitz, “Are ‘The Matrix’ Sequels Really That Bad? Let’s Discuss.” Uprooxx.com, 3/31/14, http://uproxx.com/gammasquad/2014/03/matrix-sequels-really-bad/
2 Why 100 years? This seems to be how long the inhabits of Zion think the war has lasted. Given that the first movie is set in 1999, it seems that the machines are making humanity relive the 20th century, over and over.
3 Only 27% of philosophers accept any version of it; when there is controversy, the percentages are much closer to 50/50. See D. Bourget & D. Chalmers, ‘What do Philosophers Believe?’, Philosophical Studies (2013), pp. 1-36. http://philpapers.org/surveys/results.pl
4 For more, see my paper “Do Souls Exist” Think 12 (35):61-75 (2013)
5 Only 14% of philosophers believe in so called “libertarian free will.” For more on The Matrix Saga and free will, see Schick, Theodore Jr. “Choice, Purpose, and Understanding: Neo, the Merovingian, and the Oracle” in William Irwin’s More Matrix and Philosophy: Revolutions and Reloaded Decoded, Open Court, Chicago and LaSalle, IL. (2005)